My interview with Josh Wilker

The baseball blogosphere is filled with people who haven’t gotten a professional break, people like myself. Many of us are dedicated and passionate, but for whatever reason, we find ourselves here. Every so often, though, one of us breaks through. Last spring, I noticed reviews on ESPN.com and in Sports Illustrated of Josh Wilker’s book, Cardboard Gods, a memoir framed around his childhood baseball card collection. I subsequently reviewed the book and thought it was excellent. As a baseball blogger and a writer, Wilker is a lot of things to aspire to be: funny, honest, and original. It gives me hope he’s gotten to the point he’s at.

I’ve been interested in interviewing Wilker since reading his book, and I finally made some time to talk with him on Saturday. Excerpts of our 30-minute phone discussion are as follows:

I’ve been a reader of your site pretty much since I read your book in April or May. One thing I noticed during the summer was your frequency of posting slowed for a few months. I was just curious– did you experience a post-book creative letdown at all?

Wilker: I had another book that I had to write so I was putting whatever creativity I had into that really and then trying to keep my blog also going along. But I think in general, even up to this moment, there was a lot of momentum in me working on my blog for the first few years I was writing it, and that momentum kind of climaxed with the book. I had a story I wanted to tell about my life, and I found a way to get to it, piece by piece, by writing about it first on my blog and then working on the book. And then when I got it to find its shape in the book, then I wasn’t sort of searching for that anymore. I’m still interested in the cards themselves, I’m still interested in trying to find ways that relate it to my life. It just doesn’t– I don’t know if it has the same urgency it did in the early days.

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How has the release of your book changed your life?

Wilker: Not in any huge ways outwardly. I still live basically the same life that I was living before the release of the book. I write in the morning, then I go to my day job, come home, watch TV, drink a couple of beers. It’s pretty much the same story as it was before. I think internally, it was very satisfying to see a creative piece of work make its way into a published book. I’ve been writing for over 20 years, and most of the satisfaction just comes from the writing itself. But I’m certainly not above getting the kind of external validation, and just enjoying that, the validation that comes from just getting a book out there and sharing it with people….

I would say [something] that’s changed, I suppose, is just the idea that some people have read it which makes me kind of uneasy because there’s some really personal stuff in there. For example, I very much like the people I work with but I haven’t told them about my life in such detail that, if they happened to pick up my book, suddenly they know my whole story from birth to right now, and that makes me feel a little weird.

I know I was reading, and especially like the last half of your book, it was really, really personal stuff, and I mean, frankly, it’s more detail than I would go into if I was writing my life story. When you were writing the book did you ever wrestle with, ‘Hmmm, some of this stuff, should I be putting this in?’ What was that like for you?

Wilker: I think I’ve been inspired by books that try not to hide from the whole story, if they can and get it out there. There’s some memoirs that I really like, This Boy’s Life and A Fan’s Notes and The Basketball Diaries, and these books really do go to places that most people wouldn’t really be comfortable talking about so publicly. So I had those kinds of things urging me on because those books were so important to me. I think I felt it would have been insincere to not try to live up to that. But it’s a story, too, and there’s parts that I leave out. I didn’t tell everything, so I suppose there’s definitely a thought in my mind, I don’t want to go everywhere. But I did want to, as much as I could, lay myself open to scrutiny and just show all my limitations and faults and not hold back and make myself look good.

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I’m 27, and I’m kind of at the stage of my life where professionally I’m not where I’d like to be as a writer. I work as a delivery driver right now to get my rent paid, and one thing that really resonated with me from reading your writing, both on your blog and in your book, is it seems like we’ve kind of been the same places. Were there ever times as a young man when you wondered what your life would amount to?

Wilker: Oh sure, yeah. The only aspiration I had was to be a writer, and for most of my adult life, it wasn’t really bearing any fruit in the real world, and meanwhile, I was making ends meet, or not. That was the toughest times, actually. Being unemployed is infinitely worse than having a crappy job.

I absolutely, absolutely agree with you.

Wilker: Actually, some stability with work I think really might have helped me, because I was kind of bouncing from very tenuous job to tenuous job. I think when I had a job with kind of regular hours that wasn’t killing me in any kind of anxiety or ways, it helped my writing. It gave me a better routine every day and allowed me to focus on the writing a little more steadily. But back to your question, I did worry about that, for sure, and I still worry about it. I think it’s a worry that I’ll always have.

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What’s one thing you wish you did better as a writer?

Wilker: I often wish that I was more like [Anton] Chekhov who in some ways is the most awe-inspiring writer to me because when he would write a short story, there wasn’t any discernible part of his own personality in the writing. He would just drop into the life of somebody who was completely unlike who he was, a writer/doctor. He would become anybody. It was like he could become anybody and find drama in a life where most people wouldn’t see it as dramatic. I don’t know if I could boil that down to one word, but sometimes I feel shackled by my way of writing which is very much centered on a memoirist’s approach, where I’m just kind of writing about my own life, and then sometimes, I’m able to disguise it a little bit and fictionalize it. But I would like to be able to explore kind of more widely and freely into other lives, through fiction, in a way that he did.

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What advice would you give other baseball bloggers hoping to write a book?

Wilker: I don’t know if I’m qualified to give advice. It took me a long time to do anything that led to anything. Like I’ve sort of been saying, I was writing mostly because I’m just compelled to write, and I love to do it. I thought there was a book out there about the baseball cards and my life intersecting, but I didn’t push it in my own mind very hard. I just wanted to explore the material. So I just kind of relaxed and just churned out the blog posts about the cards and just tried to have fun, and a form kind of slowly suggested itself from all those posts.

I guess if I had to put that in the direction of advice, I would just say, if you’re writing a baseball blog, or any kind of blog or doing any kind of writing, try to go where the enjoyment is and maybe the urgency, and just try to go with it, and don’t get too wrapped up in those early stages and any kind of finished product. I know that in my own writing life, I think I’ve probably sabotaged some possible books by just going too quickly by going too quickly toward the idea that I could come up with a finished product instead of just exploring the terrain for awhile.

*                         *                         *

One final question for you: Has there been any word from Yastrzemski or still no word? (Wilker writes in his book of penning an unanswered fan letter to his hero as a child)

Wilker: [laughs] No, no word from Yastrzemski. I did get a great letter from somebody who’d read an article in the Boston Globe about my book, and the writer of the letter was this woman from Worcester, Massachusetts. Her husband had gotten an autograph from Carl Yastrzemski back in, like, 1979, and she was cleaning out some stuff and she found it and sent it to me. So, all these years later, I do get an autograph from Yaz, which is all I wanted. What I describe in the book– I write to him– I wasn’t asking for him to come meet me. So, I got my autograph. There’ve been some really cool kind of connections through the book, and that’s right at the top of the list.

An interview with Joe Posnanski

As an aspiring sportswriter, there are certain writers I look up to, idolize, and wonder how they got where they did. One of these writers is Joe Posnanski, the two-time Associated Press sports columnist of the year and Sports Illustrated writer. In addition to his professional duties, Posnanski maintains arguably the best baseball blog known to man, and during a visit to it last week, I noticed there was a person I could contact to see if Posnanski would be up for an interview. This led to an epic phone call yesterday.

If I were to type the full transcript of the 55-minute, wide-ranging discussion I had with Posnanski on Thursday afternoon, it might top 10,000 words, which I realize would be a fitting tribute to a writer whose blog bears the tagline, Curiously Long Posts. In honor of Posnanski, here is perhaps the longest entry I’ll ever post on this site. Highlights from the interview are as follows:

Me: I’m somebody who can stay in on a Friday night and spend hours on Baseball-Reference. Are you the same?

Posnanski: Oh absolutely, absolutely. I love to look at the numbers. Just today, I woke up this morning and was thinking about the American League Cy Young, and I thought, ‘You know, I would love to kind of break down start-by-start, C.C. Sabathia and Felix Hernandez, just take a look at those two guys and see how they did in each start and who had the better start. You know, Start 1, Start 2, all the way up to today.’

So I did it. I did that this morning. It’s so easy now. We have such great access to these numbers. I was able to do that, and I’ll turn it into a blog post. I definitely find great comfort and great joy in looking up things and seeing how things worked out through history.

Me: What do you love about baseball research?

Posnanski: To me, I think it really plays on my imagination. I love baseball, love the history of the game. There’s no way for me to go back and see Babe Ruth play or see Lou Gehrig play or Ted Williams and Mickey Mantle, these guys. But I can go look at their numbers. I can really try to kind of break down and see what it was that drove them, how they compare with other people. Obviously, there are so many researchers out there, statisticians out there, sabermetricians out there that are just a million times smarter than I am and have done all this incredible research which I’d love to look at.

But part of it for me is just the fun of going and looking at the numbers and trying to kind of figure out, ‘Okay, what does this mean? And how does this work? And what are we missing?’ I think for a long time there was just a sense of watching the game for the pure enjoyment of the game, which I still love. But now, part of me, I’ve seen enough baseball and written enough about baseball that I really want to know how it works or at least try to get a little closer to how it really works, and I think the numbers give us a great opportunity to do that.

*                              *                           *

Me: Is it ever strange to you that you’ve gotten so popular?

Posnanski: Only on a daily basis is it strange to me. Obviously, I never expected any of this to happen. I was somebody who just really went for it as a kid. I wanted to play second base for the Cleveland Indians, that was pretty much my entire goal, and when it became clear at a very young age that wasn’t gonna happen, I just sort of committed to other things.

I went to college to study accounting and had no real sense this was going to be my life. Through a wonderful series of coincidences and good fortune and people helping me, I kind of ended up in this field. Then, everything has been just sort of this big, wonderful surprise. It’s been so great. It’s been this way forever. It’s been this way since I started writing at the Charlotte Observer, then I wrote for the Augusta Chronicle in Georgia, and I went to the Cincinnati Post and then came to Kansas City. And all those places were terrific for me.

Then, this blogging thing happened, and I was pretty late to the party. I mean a lot of people had been blogging long before I got around to it. And that just took it to this whole other level. Then of course, Sports Illustrated, which is just the dream of any young sportswriter. So it’s been constantly, constantly shocking to me. It still is. And that’s good. I wouldn’t want to ever take it for granted. People have been so good to me, and people have been so supportive of me, even when they disagree, even if they don’t like it. I think people have come to appreciate how much I love what I do and how hard I work at it. I think that comes through, I hope that comes through, and the rest of it is just pure luck.

Me: Starting out as a writer, did you ever feel you weren’t any good or people weren’t reading?

Posnanski: Yeah, absolutely… throughout my entire childhood and into college I never once had a single person tell me I had any talent for writing. It wasn’t out of meanness or anything. I don’t think that it was there. I never had a teacher say, ‘Oh, this is a well-written assignment, you might want to think about writing.’ It never happened. So when I started to have this idea of being a sportswriter, I just constantly wondered, I’m no good at this. Why in the world would I even do this? Why would anyone pay me to do this? Those things were with me all the time.

After awhile, you start to figure a few things out here and there, but I still—you can ask any editor I’ve ever worked with, they’ll say to me when a story’s done, ‘What did you think of it?’ I’ll say, ‘Well, it’s done.’ I never feel good about it. I never feel good about anything I write. When it’s over, I just feel like that was the best I can do. Some days, I’ll go back and read it, it’s like, ‘Oh okay, well that wasn’t too bad.’ I never feel too great about what I do. Other people, I know, do. Other people in this business, they’ll write something, and they’ll just, they’ll immediately know, ‘Wow, this is terrific, I really wrote a great story here.’ And I’ve never had that feeling. It’s not to say I’m down on what I do. I know that I’m working as hard and doing the best I can, but I’ve never had that feeling.

So if you ask me did I ever worry about not being good enough or whatever, I don’t know that that feeling has ever changed for me. I’ve always felt like that what I really bring to the table is that I’m going to work really, really, really hard, and I’m really committed to what I do, and I love what I do, and hopefully that passion comes through and hopefully that’s what people are going to see.

*                              *                           *

Me: I spend a lot of time on blogging myself, and of course, I don’t also write for Sports Illustrated. How many hours a week do you think are consumed writing about sports or researching or reading about them?

Posnanski: I’d probably be scared to add them up… I spend a ton of time at the computer, writing, tapping out ideas, thinking about stuff. People always say to me, ‘Wow, your blogs are so long. You’re crazy how much you write.’ I don’t want to tell them how many stories I’ve written that I don’t put on the blog because I didn’t think it was quite good enough or the idea didn’t quite yield the [results.] So I’ve got this long, long list of—

Me: You know, you could send me some of those posts if you want.

Posnanski: To me, it’s like those unfinished songs that great artists will do. You’ll think, ‘Oh, I really want to hear it,’ and then you’ll hear it, you’ll be like, ‘Oh, I know why they didn’t finish this.’ So I think that would probably be your reaction.

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Me: What’s one piece of advice you would give an aspiring sportswriter?

Posnanski: I always say this with a caveat that I wish there was one piece of advice that would work for everybody. I wish there was something I could say that would get somebody a job of their dreams tomorrow.

Not really having that piece of advice, I always say that, to me, it starts with reading. This is something I tell high school kids, college kids, people trying to get into the business, that it’s just so much about reading. Read, read, read. So much of everything else falls into place when you just do a ton of reading.

It works on so many different levels. When you’re reading, obviously, it gives you the knowledge, the background and that sort of thing. But also it helps you, I really believe, form words in your mind. It gives you an idea of how things need to be written, it gives you style points. There’s just so many things, some of them very much below the surface.

I read a lot. When I’m not at the computer, and I’m not with the family, I’m reading. I read very widely. I don’t read very much sports. I read fiction and non-fiction and history and mysteries and read with very much an open mind to what I can get out of this…. It’s important to write a lot, it’s important to have a good editor and listen to good advice. There’s so many of those basic things. But to me, the magic really comes out of the reading.

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Me: I was reading some stuff that you’ve talked to Bill James before. How much of an influence has he been?

Posnanski: He’s a very good friend, so he’s been a huge influence. His writing has been a huge, huge influence on everything that I think about with baseball and writing. Bill is just a terrific, terrific writer beyond baseball stuff. He’s a thinker. He has strong opinions, but the opinions are built out of these great questions that he asks. He really is unique. Getting to know him and becoming friends, we get together for lunch and dinner. He’s still a huge influence on me. He’s one of a kind.

I think he should be in the Hall of Fame. I think that he changed the way people see the game for the better.

He’s still as sharp as ever, he’s still thinking along some interesting lines, and he’s just a lot of fun. I think it’s easy to miss that part of him…. He’s a tremendous, tremendous amount of fun. He’s very, very funny and very, very thoughtful. He’s just a good friend and definitely a huge influence on me.

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Me: I took a look at your wife’s blog. Being that you and your wife both write, do you expect either of your daughters to do so also?

Posnanski: I don’t know. Our oldest daughter just turned nine, and she’s been talking more and more about wanting to be a writer… Both of our daughters are very creative in school, they love reading, they love storytelling, so that’s cool.

The great thing for me as a dad is, while I’m obviously forceful in certain areas of their lives, I really want them to do whatever they want to do. I want them to be what they want to be. I’ve kind of gotten to watch them find their own ways, just in little things, what are they interested in, what do they like. I really haven’t spent a lot of time trying to influence them. I haven’t tried to force anything on them. It’s been pretty cool to watch.

I don’t know if they’ll become professional writers, but I really do hope, and I do believe that they’ll both write, whether it’s for fun, whether it’s for their own little blog, whatever it may be…. What I didn’t know as a kid is how much fun it is to write, because to me writing always meant assignments. Writing always meant papers that were due. What I didn’t realize is how much fun it is to write. I just hope they know that, and that’s one thing I would love to be able to instill in them is how much fun, and how rewarding, and how much writing reveals about yourself.

*                              *                           *

Me: I was reading that your youngest daughter was born in February 2005. I’m curious, did she just start kindergarten?

Posnanski: She did, she did. She’s in her first month of kindergarten.

Me: Oh whoa, how’s that going?

Posnanski: It’s going great. She loves it, and it’s good for her because her older sister, she’s been watching her. We have this little game we would play every morning while Elizabeth, the older one, was going to school. We’d have this game where we’d look out the window and see which one’s the first one of us to see the bus coming out the window. So she’d been doing that for three years, and finally the bus was coming for her, and she was really, really excited about that.

It’s very cool… They’ll get older, and there will be times that school won’t seem all that cool anymore, and there will be days they won’t want to go, and all that. But she’s at that stage where she pops up in the morning, and she’s ready to go to school, and that’s pretty cool to see.

Me: Right on. It sounds like she knows how to read already.

Posnanski: She knows how to read some. She likes to read along while we read to her. But she’s always kind of had a little head start because of her sister and all that. She’s definitely working on it. We’re working on counting to 100, we’re working on all those kindergarten things. She’s had a good appreciation for words for quite some time.

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Me: I noticed you interviewed Michael Schur for your blog. I know Michael both as ‘Ken Tremendous’ from Fire Joe Morgan and also as Mose on The Office. Are you a fan of The Office by chance?

Posnanski: I’m a big, big fan of The Office and a fan of Parks and Rec [Schur has written for both shows.] I’ve gotten to know Michael a little bit. We actually went out for drinks just a couple weeks ago when I was in LA. Great guy. Just a really, really great guy, brilliant guy who, pretty much, he’s as funny in real life as he was in the Fire Joe Morgan thing.

Me: I wish that site was still going. It was awesome in its heyday, and I only found out about it afterward.

Posnanski: Yeah, but it’s still fun to go back and read the archives of it.

Me: I read in the interview with Schur that you love Rashida Jones. Do you ever wish that Jim wound up with Karen?

Posnanski: No, no, I love Pam, so definitely, the Jim and Pam thing had to happen. Of course, once it does happen, then they’re not as interesting anymore. That’s sort of the whole concept behind the original Office is you couldn’t get them together until the last show….

The really cool thing about The Office is that you love all the characters, even the characters you aren’t supposed to love. That’s a pretty rare thing for a television show, especially a show that has such an ensemble cast. The characters are distinct, defined, and they’re all just really cool on their own merits. It’s a pretty well written show.

Me: Oh, God, I think it’s incredibly well written. It seems they have a lot of classic Simpson’s people, at least Greg Daniels.

Posnanski: Yeah, yeah absolutely. It’s definitely a great show, and Parks and Rec has a lot of the same characteristics too.

Me: It’s funny. I haven’t gotten into Parks and Rec yet. I think I’ve seen every episode of The Office, the British series as well, but I haven’t checked out Parks and Rec yet.

Posnanski: It’s fun. It’s a different thing in some ways, because obviously, its whole concept is somewhat different, but it has a lot of The Office in it. It’s very, very funny on its own merits.

Me: This is a goofy question, but if you’re one character from The Office, who are you?

Posnanski: Every guy wants to say they’re Jim, right? I mean, I’m not Dwight, and I certainly hope I’m not one of the accountants.

Me: Yeah, I was going to ask Kevin.

Posnanski: I hope I’m not Kevin. I mean, no offense to Kevin, he’s a great character. But I hope I’m not in the back, just eating donuts.

I remember the episode Jim put himself in Second Life as a sportswriter, so I’m thinking Jim has some sportswriting dreams. So I think I’d be him, as much I am anybody.

*                              *                           *

Me: From here on out for the rest of your career, do you have any goals of things you haven’t accomplished yet that you’d like to accomplish?

Posnanski: Yeah, I mean there’s tons of stuff I haven’t accomplished. I think there are books I want to write and stories I want to tell and all of that. I certainly don’t feel like I’ve accomplished much of anything at this point, so yes. But I don’t know if there’s anything specific.

I’ve never been particularly a goal-oriented person in that way. I’ve never been like, ‘Well, I hope at thirty I’m this, and at forty I’m this.’ To me, if I ever had goals, they were to become a columnist at a newspaper and that happened and then it was a columnist at a major metropolitan daily paper and that happened. And I think I was perfectly content with that, and then Sports Illustrated comes along, so now I’m already playing with house money.

I definitely want to keep writing, and definitely, every single day, more ideas come about things I want to do as a writer. But no there are probably not any specific goals.

Me:  Let me see, anything else I could ask you—this is awesome by the way, I really appreciate you taking the time.

Posnanski: Of course.

Me: I guess the last question I’d leave you with is, I’m 27 right now, and I’m a writer who’s basically trying to start out. Do you remember what that was like? Does it feel like it was all that long ago?

Posnanski: It doesn’t feel that long ago to me. It definitely doesn’t. I went to Augusta when I was 24, and I just remember thinking, Boy, this might not work. I’m going to this place I’ve never been, this relatively small town in Georgia. I don’t know, people might hate me, and this totally might not work. That’s a scary feeling. But I think that the way you respond is just—it gets back to the basics—I think you have to keep working. You just work really, really hard.

I think if there’s one thing that I’ve said that I think has connected to people… people talk about Writer’s Block, and I always say, ‘My dad worked in a factory for 40 years, my dad’s never had Factory Block.’ He went to work every single day because that was his job.

I think as a writer some days it comes out pretty easy, some days it comes out really hard, and some days it doesn’t come out at all. You just gotta fight through it all and just keep working at it. There are no guarantees. But I think the people that work the hardest in this profession are very often successful, and I think that’s the best way to attack.

My interview with Hank Greenwald

Former San Francisco Giants announcer Hank Greenwald left a comment on this site Thursday. The 75-year-old Greenwald, who broadcast Giants games from 1979 to 1986 and again from 1989 to 1996, read my review of Jews and Baseball: An American Love Story and commented that greats like Sandy Koufax and Hank Greenberg were beloved for their playing ability rather than their faith.

Greenwald didn’t mention his former occupation in his comment here, though I recognized his name and emailed him, asking if he’d be up for an interview. He obliged. Here are excerpts from our half hour phone conversation Thursday evening.

*                                   *                                   *

Me: What motivated you to leave a comment?

Hank Greenwald: Well, of course I read the blog, but I think also some of comments from others probably inspired me to want to add my own two cents. I’m a person who doesn’t really like to get caught up in religious matters when I don’t know that they’re relevant to the subject, baseball players. That was what inspired me to comment, as I did, that the players who were featured in the film or whose names were mentioned should be thought of as baseball players, first and foremost.

Me: Did you see the movie?

Greenwald: No, I did not.

Me: Okay, just curious. Did you see The Life and Times of Hank Greenberg?

Greenwald: Yes I did.

Me: What were your thoughts on watching that movie?

Greenwald: Well, I was glad that somebody did a story about him. I was a kid in Detroit when Hank Greenberg played, and I saw him play. I even took my nickname from him. My real name’s Howard, and I hated being called Howie, so I said Hank’s grown up and more of a natural thing.

*                                   *                                   *

Me: With Jon Miller (Greenwald’s replacement in San Francisco) getting inducted into the Hall of Fame, is there a part of you that wonders if you’ll be inducted?

Greenwald: There’s not a part of me. I think its people around me who wonder. That’s what friends are for, I suppose [laughs.]

You know, when you start out in this business, the Hall of Fame is not what you’re thinking about. You think all you want to do is make it to the major leagues. That’s your goal, and that’s your ambition as a broadcaster, just as it is with playing. You don’t really think about those things. I made it to the major leagues. I was up here for the better part of 20 years so I have no complaints. I’m a very content person. Jon Miller is in (Cooperstown), and that’s the way it should be.

*                                   *                                   *

After his first tenure with the Giants ended in 1986, Greenwald spent two years as an announcer for the New York Yankees. I asked him about an infamous quote he offered on George Steinbrenner upon leaving New York, and I asked Greenwald if his thoughts on his former boss had changed following his recent death.

Greenwald: What I actually said was, “He’s everything you’ve ever heard and more.” You can take it any number of ways, but that inference most people drew was correct. He truthfully did not bother me. It bothered me the way he treated other people, especially the lower echelon workers in the Yankee office who I think he terrorized. You could tell immediately.

We had to walk through the Yankee office to get to our broadcast pen. Everyday, my partner Tommy Hutton and I would walk through the Yankee office, and we knew immediately from the looks on their faces whether George was in town that day or not. And this was not a good thing. I thought it was probably a far cry from what I was used to being in San Francisco and certainly with the Dodger organization when the O’Malleys owned the Dodgers and the way those two organizations, Giants and Dodgers, treated their employees. It was just a very tension-filled place.

As far as the announcers, he never bothered us. I always told people, I don’t think he really knew who I was. Whenever he saw me, as I think I said in the book, I could tell he didn’t know who I was because my parents didn’t name me Big Guy. That’s what he always called me because he didn’t know my name. I think he might have thought I worked in the accounting office.

Me: I know there’s been a lot of people in the media who’ve been pushing over the last few weeks for him to basically be immediately enshrined in the Hall of Fame. What are your views?

Greenwald: Well, I’ll say this for him. My summation about George is that he made the Yankees relevant again, and they had not been for a good many years. So I tip my hat to him for that.

Me: Do you think he belongs in the Hall of Fame?

Greenwald: Oh goodness, I don’t know. That’s a hard one. That really is a hard one. It depends what criteria one uses for the owners, and I’m not really privy to what kind of criteria is used in that respect, so I don’t know… He certainly is the most talked about, for better or for worse, of all the owners, having a tremendous impact on the game, but I’m not sure it was the greatest. His greatest impact is that he spent more money than anybody else.

*                                   *                                   *

Me: What do you do to stay busy?

Greenwald: I like to tell people that I finally found something I’m really good at, and that’s retirement. I was cut out for this.

I still go to games. I enjoy going to the ballpark, it’s a beautiful ballpark, San Francisco. It’s always nice to go out there and see old friends. And now, I’m sort of like the modern day pitchers. I’m on a pitch count now, and about after 70 pitches, I can leave.

More quotes from my interview with John Thorn

Last week, I posted a story on a forgotten Negro League/semi-pro great named John Donaldson, and in writing it, I faced a high class problem for a writer: I had more solid material than could fit. As I’ve since commented, this was an 800-word piece that could’ve gone 2,000.

A lot of good stuff didn’t make the final edit including several quotes from one of my interview subjects for the piece, John Thorn, a prolific baseball author and the senior creative consultant for the Ken Burns Baseball series that aired on PBS in 1994. Thorn said several things from our short phone conversation June 3 that deserve a wider audience, and I decided yesterday to compile them into a post here.

On his relationship with Donaldson’s lead researcher, Peter Gorton

“Peter and I are not in close contact, and I have not been keeping up with the state of his research. I just know it was pretty great that he did find some Donaldson footage.”

On how Donaldson would rate with other Negro League great hurlers

“By all accounts, he would be up there, but we’re in that strange land of anecdotal measurement. People have tried to remedy this by doing retroactive statistics and filling in gaps and doing some highly suspect things in terms of statistical theory, imagining at-bats, imagining innings pitched, trying to deduce from the slim evidence at hand what a full picture might have looked like. In fact, this is more archaeology than history, and I’m very familiar with that necessity because my specialty is baseball before the Major Leagues.” [Thorn clarified in a subsequent email that he wasn’t including Gorton among this type of researcher.]

On whether he thinks baseball’s done a good job honoring Negro League players before 1920

“Major League Baseball feels no responsibility to honor white players before 1920, let alone black ones. I think if there is no footage you can throw up on MLB television or on the Web site, they’re not particularly interested in the players…. If King Kelly can’t catch a cold with the MLB producers, you can be sure that Rube Foster won’t either.”

“It’s not a matter of discrimination against old Negro Leaguers, it’s a discrimination against old ballplayers. It’s not exactly discrimination. It’s that Major League Baseball has made the judgment that 1/10th of 1 percent of all baseball fans cares about anything that happened prior to World War II, and they’re not going to devote very much of their resources to pleasing that 1/10th of 1 percent. You can’t argue with it as a business decision. You can argue with it as a philosophical or historical question because if baseball is an important institution, then it ought to be important to learn where it came from and how it grew.”

On baseball history being a niche market for writers

“You have to do what you have to do. If this is where your interest lies, if you make it your specialty, you will find an audience. I have a book that I’ve been working on for years now that’s coming out next spring called Baseball in the Garden of Eden. It pretty much begins 1770, or so, and ends in 1939 but the real serious narrative runs, I guess, 1830 to 1908. Now, this book may be read by 12 people but actually, I suspect it’ll have a wider audience.”

On the myths of Abner Doubleday and Alexander Cartwright — whose biography he recently wrote an introduction for — as the founders of baseball

“I think it’s safe to say that most of what baseball fans think about old-fashioned baseball, i.e. before their fathers were born is wrong. Whether they believe in Doubleday or Cartwright, they’re equally wrong.”

Me: “Yeah, it’s funny, I always thought I was smart for knowing Cartwright.”

“You are not alone in that position, and I believe that to this day, if you could interview all baseball fans, that 60-70 percent of them would still say that Doubleday invented the game. It’s pretty hard to kill Santa Claus.”

Some closing remarks

“One thing. In terms of the commentary that you extract from this interview for your blog, you’re free to use anything. There’s nothing off the record. I will add that I admire Peter Gorton’s tenacity and his inventiveness, and while I have no particular feelings for Donaldson this way or that or any notion of where he belongs in the pantheon, I think the man who merits celebration now is not so much Donaldson, but Gorton and you and people like you.”

Port-mortem on McGwire: Five more questions with Dale Tafoya

Faithful readers of this site will know that in December I reviewed a book about Mark McGwire and Jose Canseco, Bash Brothers: A Legacy Subpoenaed. The book’s author, Dale Tafoya subsequently contacted me, and I interviewed him.  A few weeks after that, McGwire finally admitted to using steroids during his career.  Thereafter, his former trainer, Curt Wenzlaff made his own disclosures about the slugger.

Tafoya had interviewed Wenzlaff for his book, and I was curious about his take on everything that’s happened this month.  Thus, I followed up with Tafoya.

Baseball Past and Present: In writing Bash Brothers, did you foresee these last few weeks?  Was this what you were expecting?

Dale Tafoya: I wasn’t sure if McGwire was ever going to talk about the past and admit his steroid use, so I didn’t think his confession was inevitable. But I did know he wanted to return to the game and that his younger brother, Jay, is releasing a book, Mark AND Me, next month. Like Canseco, Jay is also supposedly going to describe how he injected steroids into Mark. So McGwire had many reasons to confess when he did. Personally, I was disappointed.  He may have been sincere, but it was a watered down confession that insulted our intelligence.

Firstly, he wants us to believe he turned to steroids to be healthy enough to play and that he could’ve hit 70 bomb in 1998 without them. Secondly, he wants us to believe that when players talked about steroids around the batting cage, he innocently walked away. So even though he confessed his steroids use, he never admitted they helped him perform better on the field.  He would have come across much better if he would have just exposed himself and stated the obvious: That they not only helped him recover from injury, but also helped him hit the ball further and break records. We, as fans, would’ve had more closure. Instead, his lukewarm confession left many of us disgusted.

BP&P: Will you be writing a postscript to your book?

DT: My publisher is talking about releasing a paperback version of Bash Brothers, and that’s when I’ll write a postscript. Stay tuned.

BP&P: One of your interview sources, Mark McGwire’s former trainer Curt Wenzlaff detailed the slugger’s steroid use for Outside the Lines.  In your book, he stopped short of saying he supplied McGwire with steroids.  What were the circumstances surrounding your interview with Wenzlaff a few years ago?  Do you regret not getting full disclosure at that time?

DT: I had two or three hour-long sessions with Wenzlaff. From the start, he always made it clear he wasn’t going confirm that he provided steroids to Canseco and McGwire unless they came clean.  So when Canseco described his own steroid use in his first book, Juiced, Wenzlaff went on record to confirm it. But when I contacted him in 2007, McGwire still hadn’t admitted it, so all he could tell me was he trained with him at a Southern California gym. But I respected his stance and was grateful he agreed to participate in my book. 

Interestingly, it was Reggie Jackson, when he played for the A’s in 1987, who introduced Wenzlaff to the Bash Brothers.  So I probed him about Jackson, but Wenzlaff  insisted Jackson never knew about his connection with steroids, claiming he only trained him at a gym in Walnut Creek, Calif.

I spent a lot of time trying to locate Wenzlaff, who was no stranger to media exposure. He had already been featured on ESPN and in the New York Times about his associations with Canseco and McGwire, so I realized he wasn’t going to give me any new, earth-shattering revelations into the Bash Brothers. But he did provide some interesting stuff on McGwire.  He described how much McGwire changed and how steroids could affect someone’s behavior and personality.  Based on my time with him, Wenzlaff was by no means an attention whore seeking to capitalize on this ongoing saga. In fact, I found him very private, humble and intelligent. If he were infatuated with the limelight, he would have wrote a tell-all book about the Bash Brothers years ago. He stuck to his guns and didn’t come out until each of them admitted it.

BP&P: Do you think McGwire told the whole truth?

DT: Well, I give him credit for disclosing his use, but I also believe Canseco injected him with the stuff; a claim he denies.  If there’s one thing clear about McGwire’s confession, it’s that he still refuses to dignify Canseco’s claims or make him look credible at all. He’s definitely not going to paint Canseco as a savior in this mess. But my question for McGwire is, “If Jose didn’t inject you with steroids, how did he know you used them?”

BP&P: Does McGwire have a better or worse case for the Hall of Fame now?

DT: I don’t think his admission swayed voters one way or the other. Personally, I don’t think he’ll garner of enough votes to enter the Hall of Fame and I don’t think he cares. The Veterans Committee, however, could end up getting him in.

An interview with Matt Walbeck

I have found work recently as a painter and was in a town here in Northern California called Danville last week, doing interior work on a house.  I got to talking with one of the homeowners, and it turns out she is from Sacramento, like me and went to high school with Matt Walbeck, a future Major League Baseball player. Walbeck broke in with the Chicago Cubs in 1993, as a catcher, played with four other teams in an eleven-year career and is now a minor league coach.

The homeowner said she still knew Walbeck, and after I explained about this site and inquired about interviewing him, she gave me his email address.  I sent Walbeck questions on Thursday, and he got back to me today.

The interview is as follows:

Baseball: Past and Present: You’ve been coaching for six years now.  Do you hope to make it to the majors as a manager?

Matt Walbeck:  I think if I continue to improve as a manager and at developing players I will manage in the majors.

BP&P: Do you think being a catcher prepared you better for coaching than if you’d been, say, a third baseman?

MW:  Having not played any other positions, I can’t compare.  There are a lot of solid managers that have played different positions.  Catchers are closely connected with the pitching coach, manager, umpires, position players and the pitchers.  Understanding pitchers is a big part of managing a baseball team because they make up almost half of the team.  Also seeing the whole field from behind the plate helps too.

BP&P: Have any of the managers that you played for influenced your coaching style?

MW:  They all have, and so did my Dad who coached my little league teams growing up.  My high school coaches Don and Jim Graf were very helpful also.  I gleaned a little bit from each of them, which is how any coach creates his or her own style.

BP&P: What kind of advice do you give young players?

MW:  Take care of yourself, love what you do, play the game one pitch at a time. And do something every day to become a better player.

BP&P: You were an eighth round draft pick out of Sacramento High School in 1987 for the Chicago Cubs.  If you could do it over, would you have gone to play baseball in college and entered the draft later or would you still have signed out of high school?

MW:  I wouldn’t change anything.  I feel that I learned a lot about life when I signed as a 17 year old and learned how to live on my own.  Wytheville, Virginia, the city where I played my first pro season was a small town of about 10,000 people and was like whole new world.  Being away from home made me realize how great the Sacramento area is, and how important family is.

BP&P: Baseball-Reference.com says you earned over $4 million in your career.  How far does that sort of money go?

MW:  It will go as far as you let it.  If you spend a lot and don’t save you go broke.  It boils down to your spending habits and investing wisely.

BP&P: Do you think you reached your potential as a player?

MW:  No.  Nobody is perfect and it seems everyone can always improve.

BP&P: How prevalent was the steroid culture in baseball?  Was it rampant or has the media made it out to be something bigger than it was?

MW:  I guess it was pretty prevalent throughout the years that I played.  Fortunately, I decided a long time ago that I wouldn’t try it.  The side effects scared me.  So, since I wasn’t interested in it, it wasn’t available.

BP&P: Do you still consider Sacramento home?  Are you still friends with a lot of people you grew up with?

MW:  I grew up in East Sac on 42nd and H and used to hang out at McKinley Park, Sutter Lawn, River Park, etc.  It doesn’t get much better than that.  My wife, three children and I now live in Old Fair Oaks which is near the American River.  There’s lots of outdoor activity and I love to Steelhead fish.  I still have lots of friends in the area, some who I went to high school with and others that I have met in Fair Oaks.

BP&P: Last question: Who is your all-time favorite baseball player from Sacramento?

MW:  Probably Derek Lee.  He’s a true  professional and is a tremendous talent both offensively and at first base.

Interview with Dale Tafoya

I got an email last Saturday from Dale Tafoya, the author of Bash Brothers, which I reviewed here on December 23. I got a little nervous when I first saw Tafoya’s name in my email inbox, as my review of his work was, at times, less than flattering.  Tafoya was cool, though, saying that he thought I was objective.  He also said some of the writing and editing of his book got compromised because his publisher, Potomac Books rushed it out after the Mitchell Report.  This struck my interest, and I offered to append his email to my review.  He said that wasn’t necessary but offered instead to do an email interview.

I got some questions off to Tafoya on Sunday evening, and he emailed me back today.  The interview is as follows:

Baseball Past and Present: You’ve mentioned about pouring your heart and soul into this book.  A year and a half past your book’s publication, have you fully detoxed off of all things Bash Brothers?

Dale Tafoya: Yes. When you invest almost four years on a project and finish promoting it, you kind of want to take a breather from it.  When I completed my book, it felt good to return to my daily routine. But when you’re in the thick of writing a book and immersed in your subject, it sucks you in. You’re having an affair with it. People always ask me for advice on starting a book, and I tell them they must have an unwavering passion for their subject; a romance that’s going to push them through the many obstacles of finding a literary agent, a publisher and staying focused enough to finish a book. The challenges are worth it.  What made this journey so worth it for me was that so many of my interviews––former teammates, coaches, broadcasters, and executives––loved talking about Jose Canseco and Mark McGwire. They rambled on and on. Even so, the book still had obstacles. I first pitched the book back in 2004, and many book agents said a story on the Bash Brothers was only an article-–not book worthy. One, in fact, said a publisher would only acquire it if Canseco and McGwire participated. But I pressed on and googled my ass off to locate people who knew them. After interviewing about 50 of them, the book began taking shape. I ended up interviewing over 100. On my desk are hundreds of cassette tapes of my interviews that remind me of my hard work. But to answer your question, Graham, I’m not writing a Bash Brothers II; I’ve had enough with everything Canseco and McGwire.

BPAP: You interviewed a lot of people for your book, but not Jose Canseco, Mark McGwire, Jason Giambi, Tony LaRussa or Reggie Jackson.  Did you attempt to contact them?

DT: Of course. I contacted reps for everyone you mentioned and they all declined. Well, actually, Canseco wanted to be paid, but we weren’t going pay him because the book would lose its objectivity. And we didn’t want the book to be a spin-off of his first book, Juiced. Predictably, McGwire didn’t bother to respond. But surprisingly, Dave Mckay, one of La Russa’s guys and the A’s former weightlifting coach, cooperated and was very helpful. He gave me the direct number to the St. Louis Cardinals clubhouse and really showed interest in the book. Even though he was clearly biased toward McGwire, I was shocked he participated.

BPAP: Who was your favorite interview?

DT: This has to be Eck, Dennis Eckersley. This guy is daring, bold, funny, and isn’t afraid to speak the truth. I was surprised how much he opened up to me about Tony La Russa, Reggie Jackson, Rickey Henderson, Canseco and McGwire. He wasn’t afraid to make some less than flattering comments about either of my subjects. He was real.

BPAP: Are you proud of your work?

DT: Definitely. I mean, as a first-time author, I’m proud of how it generated a buzz and garnered some media coverage across the country.
I didn’t hit a home run sales-wise, but it was a labor of love. I’m also pleased with how it drew participants. Hell, I interviewed Sandy Alderson for over an hour. He was a hard interview to land. On a side note, I did feel sort of rushed with the project. At the time, the Mitchell Report had just come out and my publisher, Potomac Books, wanted to capitalize on the buzz and rush it to stores, which, of course, will compromise some things (not accuracy, though). That’s just the politics of the publishing business. Overall, though, I’m excited for the lingering impact that Bash Brothers will have decades down the line because when fans reflect on the history of baseball, they’ll always point toward Canseco and McGwire as two sluggers who helped trigger Baseball’s Steroid Era. So I have a long-term vision for the book, too. I’m also proud of how none of my interviews emailed or phoned me to cuss me out for misquoting or misrepresented them. It proves my book wasn’t a witch hunt, but an honest glimpse inside the Bash Brothers. Having former MLB commissioner Fay Vincent write the foreword for the book was also a boost for me.

BPAP: What’s one thing you wish could be different about it?

DT: Personally, I wish I would’ve been more prepared for the critics.  As an author, you could have ten reviewers praise your work, but also have ten reviewers bash it. It’s just the nature of the business. When you write a book, you really put yourself out there and expose yourself to criticism. That’s why you need thick skin in this business. Not many, after all, have your best interest in mind.

BPAP: Do you feel you’ve written the definitive book on the Bash Brothers?

DT: I think so. With all of my research and interviews, It’s hard to imagine another author would chase everyone down again. I also doubt they would get the same cooperation. The only other idea is for Canseco and McGwire to join forces on a book, but that won’t happen.

BPAP: Overall, do you feel the publication of the Mitchell Report helped or hurt your book?

DT: If anything, it hurt it. When the Mitchell Report came out, I believe fans started growing tired of the steroid issue. If my book would have been released around 2005, there would have definitely been more interest, but so many top-tier players were being exposed, it lost its shock value.
By 2008, fans accepted that steroids were a part of the game.

BPAP: Got any new projects?

DT: Yes, and it’s not even about sports. I’m collaborating with Hip-Hop legend Too Short for his upcoming memoir. Since my first book was about baseball, many consider me a sportswriter, but I’m free and write about whatever the hell I want to write about.

BPAP: For the record, do you personally think Canseco or McGwire used steroids?

DT: Absolutely. No doubt. Lots of them. But so did everyone else.

Transcript: My interview with Jose Canseco

I put batteries into an old recorder today and discovered I still have my interview with Jose Canseco from April 2008.

I interviewed Canseco in Oakland on his promotional tour for Vindicated, the follow-up to his bestseller, Juiced. I snapped the following picture that night:
Canseco Book Signing

Being that the former Bash Brother starred for the Oakland Athletics 20 years ago, my freelance assignment from a local publication, the East Bay Express, was to describe the fan reception. I wound up with a decent, if narrow story and lots of good material from the interview that wasn’t usable and has lain fallow on my recorder.

Until today.

As I constantly need fresh and interesting content for this site, I am posting the interview. The following was recorded in a Barnes & Noble back office, about an hour before Canseco’s appearance:

Graham Womack: Alright, my name’s Graham Womack, I’m doing a story for the East Bay Express. My story basically is about, um, your recept-

Barnes & Noble staff: I’m sorry to interrupt. Can I get you anything to drink? Coffee?

Jose Canseco: (to his publicist) Coke? Pepsi? You want anything?

Publicist: Water.

BNS: Water?

JC: I want coffee. Heavy, heavy cream and sugar.

BNS: Absolutely. Iced or hot?

JC: Hot.

BNS: Hot? Okay, I’ll be right back. (Editor’s note: I include all of this because earlier on the tour, Canseco accused another coffee server of trying to poison him.)

GW: Okay, so anyway, my story is on basically the reception you’ll be getting from the fans here in Oakland. I know 20 years ago with the Bash Brothers and everything, you know, you were probably one of the most popular people in America. I guess what I’m wondering now, is, um, I’m just curious to see how it compares 20 years later now, with having two books out and whatnot. I guess my first question would be, you know, how does it feel being back in Oakland?

JC: Well, it feels great. The last time I played here was in ’97. And then prior to that, obviously, I was traded, and I had a long career here with the minor leagues and then with the Oakland A’s, I think ’til ’91.

GW: Right, right.

JC: So I had a great time here. I think we won one World Series, won two, I think three or four championship divisions–

GW: ’88, ’89 and ’90.

JC: I don’t know what’s going to happen today. I hope the fans accept me in a very positive way and light and, uh, you know I just, I just hope they just realized everything that baseball has gone through, everything I’ve gone through and, you know, the way the game has changed.

GW: Do you maintain any ties to the A’s organization? Do you make promotional appearances for the team? Or do you come out and do any camps or anything?

JC: None whatsoever. No.

GW: Would you like to?

JC: Well, I think as of my first book, well as of before my first book when I was blackballed from the game, no organization or team wanted any ties with me whatsoever, so I could not do any type of promotions for them or speak on their behalf or any, or get involved in any minor league camps and so forth.

GW: Do you maintain friendships with any players from your A’s days?

JC: Um, no. Don’t know anyone, haven’t heard from anyone for many years.

GW: Have you been, actually, in the city of Oakland since ’97? Like, have you visited since then? Were you here for Juiced a few years back?

JC: I was here for Juiced, I think a few years back. But that was the last time.

GW: Lemme see, um, so how does the level of fan attention how does it compare to 20 years ago? I know I was doing some research for this article and I think it was Walt Weiss said in a Sports Illustrated article that like going out with you is like going out with Elvis. Is it still like that these days at all?

JC: No, it’s quieted down quite a bit. Back then, I was, one point in ’88 when I accomplished 40-40, you know the best baseball player in the world and the team was winning and winning World Series and championships, so forth. So, I think we were said to be the most exciting team in baseball to watch. So, yeah, I mean, we were like rock stars, [so many] people followed us around. And we sold out every stadium and sure, when we get in our buses, and go to fly out and go to different hotels, there were people all over the place waiting for us.

GW: What’s it like these days? Do you still get a lot of autograph requests in the mail and stuff?

JC: Um, no, not really. Maybe one here and there. Few here and there. And then very quiet, and I think the book Juiced and Vindicated has been kind of like the highlight of what ties I have with Major League Baseball.

GW: Do you think people still remember the Bash Brothers?

JC: I think so. I think if you’re from the Bay Area here, they definitely remember that cause this is where it started, between Mark McGwire and myself. So.. yeah, you know, people, I’ve done some autograph sessions here and there and they bring up the Bash Brothers or the big poster–

GW: Right, right.

JC: –that they had and so forth.

GW: Do you think fans in the East Bay and the Bay Area altogether, do you think they hold positive memories from the late Eighties? Do you think they have any bitterness or anything? I mean, what do you think fans’ emotions are like?

JC: I’m hoping and I’m thinking it’s more positive image of the big Oakland A’s back then, the biggest team in baseball, you know, the home run, the power, the pitching, you know long ball, McGwire, myself, and Dave Stewart with the pitching and Eckersely coming in and shutting them down, Carney Lansford, Walt Weiss and so forth. I hope it’s a positive thing.

GW: Do you miss the game at all?

JC: Oh, absolutely. Yeah, I miss the game, love the game, wish I were still playing. Probably physically enough, to play the game, in shape. But things didn’t turn out that way.

GW: I should say that I believe, a dude I knew, I went to Cal Poly, a guy from there played with you on the Long Beach Armada, Dennis LeDuc.

JC: Yep, ‘mhm.

GW: No kidding, yeah, I think you guys were on the same pitching staff, actually.

JC: Yeah, yeah. He was there and it was a very short stint for me. It was a great time and ended quickly.

GW: I know back when you played for the A’s in the Eighties, you lived around San Ramon. Do you have fond memories just from your time of living in this area? Did you enjoy just actually living here and stuff?

JC: Yeah, I lived in San Ramon, so everyday I would take, I think, that Crow Canyon Road back, and I would have my Porsche and I’d kind of accelerate a little through those canyons. So it was a fun time going back and forth. So, they were great memories, coming into Oakland, playing here, you know those winning days, great ball club we had, just a very exciting team that we had.

GW: Lemme see… um, do you have any regrets from your first stint in Oakland from, I guess that’d be ’85 to ’91? Any regrets from that time?

JC: No. I think it was, everything was very positive. I mean, they built the team around McGwire and myself, and like I said, we went to a couple World Series, won a couple championships and World Series and so forth. And, you know in ’91, it kind of ended abruptly where I was traded to the Texas Rangers.

GW: Do you think fans in area now, do you believe they accept you for who you are?

JC: That’s probably a good question for them. I think they would have to get to know me personally to find out who I really am. I would say maybe I’m the kind of guy who’s multi-dimensional, not just a baseball player. I always consider myself entertainer in the game. I think the fans, as much money as they pay for, you know they got parking, they have tickets, they have concessions, they have everything. Before you know it, they’re spending 200-300 dollars. I think the fans deserve to be entertained. So I always consider myself an entertainer.

GW: Lemme see… um, just going back to the question I was on earlier. If say, say um– I know you said you were blackballed from baseball– say Billy Beane were to call you tomorrow and say, “Jose, hey we want you to come out and help us run a special camp next month.” Would you say yes?

JC: Well, first of all, I’d think it’d be April Fool’s. I’d think it was a joke. Cause I’ve actually had that happen to me.

GW: Oh, no kidding.

JC: I’ve had kids messing around, on the phone, cause I don’t even know where they get my cell phone from and say, “You know what Jose, this is from Kansas City Royals and we’d like for you to come and try out for our–” and I’m like, “Oh come on guys, this is a joke,” and they start laughing in the background. So, um, that’s probably an impossibility, if not an improbability because of what’s developed and happened between Major League Baseball and myself with this Steroid Era.

GW: Definitely. Also, I know you have a daughter. Do you keep a pretty low profile these days because of her?

JC: Oh, I definitely try… I’ve always tried to keep a low profile no matter what. But I guess, the kind of player I was or the way I did things and you know, you’re wearing a uniform, you’re 6’4,” 250 pounds, like a football player, and you’ve got world-class speed and hit 500-foot home runs, that’s kind of hard to keep under wraps.

GW: Definitely. Lemme see… I don’t have too many more questions… Just a couple more questions. What are your hopes for tonight? I mean, how would a perfect signing go for you? I know already you’ve been accosted by Major League Baseball investigators on this junket. So, what are your hopes for tonight?

JC: Well actually, um, accosted I don’t think is the correct word. It was very positive when they showed up in, I think it was New York and basically, they’ve finally come to the conclusion and admit that everything I’m saying is the absolute truth and finally want to join forces and try to clean the game up. So I thought it was a very positive thing that happened that night.

GW: Okay.

JC: Well, for today or tonight, just people come out, want to get to know me, they want to read the book. Maybe a lot of positive energy. And you know, I know I have a lot of fans out there. I think the image, my image has changed in the fact that people now believe what I’m saying is the truth and that everyone now is on my side. They’re definitely changing their attitudes and are very positive.

GW: I remember watching “The Surreal Life” a few years ago when you were on and I remember, they did an episode–

JC: Great, I’m sure all the girls watched it.

BNS: (motioning to another woman in the room) She used to tell me about it (the women laugh.)

GW: Well, what I was going to bring up–

JC: Was it the thong I was wearing?

GW: Uh… No, no, what I was going to bring up was I remember there was an episode that was about one of the signings you did for Juiced, and I remember they showed a segment at one point where there was a fan who was actually pretty rude to you and he was saying, he was saying, “Ah, can you sign it, From the guy who killed baseball?” Is that a common thing on your signings?

JC: No. Actually, it’s happened once or twice. But that was something that was set up for that show–

GW: Oh, okay.

JC: –specifically just to see if they can piss me off. But when my first book came out, you know I had a couple guys like that. But since then, I think everybody’s changed their tune a little bit.

GW: Okay, alright I think I’ve got all my–

JC: Boy, you were easy.

GW: Oh, what’s up? (I laugh nervously)

BNS: Hey, I just want to add to that, the phone’s been ringing off the hook all day today.

JC: They’re all assassins, and ninja warriors. “Is Jose there?”

BNS: I mean, it’s off the hook.

GW: Is it mostly fans? Or is it press?

BNS: Yeah, fans. Yeah, you’re the only press person here right now. (Editor’s Note: And save for a local television appearance, I was the only coverage Canseco got about his trip to Oakland. The signing itself was completely non-eventful.)

GW: Yeah, no, I actually I happened on to this just randomly. I was in the book store one day and I saw a sign up…. Probably, I would bet 90 percent of the people who’ve been interviewing you are more like “60 Minutes” types, but I guess I’m more of the local flavor.

JC: I get all types, believe me. I get the strangest, weirdest, out of this world, not-related-to questions. I mean people just want to know everything and anything.

GW: People ever ask you for steroid advice?

JC: Yeah, sure.

GW: No kidding.

JC: Mike Wallace did.

GW: Isn’t he like 90 now?

JC: He’s about 200. (laughter in the room) Everyone kind of has curiosity about it, questions about it and there’s not too much information about that in the market today.

GW: Alright. Well thank you so much for your time.

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Postscript: It was a big thrill interviewing Canseco — he was it when I was six-years-old — and I got a nice story out of the experience, plus a photo credit. It’s worth mentioning that before I turned my recorder on, I’m pretty sure Canseco said I could take a bullet for him. He was joking. I think. I know I came into the interview nervous and starstruck, and in the days and months that followed, I learned from various other outlets how much I’d missed: Canseco was writing a book on cloning; his house got foreclosed; he got his ass kicked in a Mixed Martial Arts bout and got busted coming over the Mexican border with a performance-enhancing drug. Perhaps most notably, Canseco told A&E he regretted writing Juiced and that he thought he was addicted to steroids. Like a couple other celebrities I’ve interviewed that are seen as controversial, Canseco came off in person as polite, self-effacing and more insecure than arrogant. If I had to guess, I’d say history will remember him as a tragic figure as much as anything.