Guest post: A brief history of the split finger fastball

Editor’s note: It’s been more than a month since I posted anything here, the longest break in BPP history. I apologize for the absence. I started a full-time job in July and have also been freelancing for a football-related digital magazine for the San Francisco Chronicle. I’ll soon resume posting here and I’ll be kicking off my annual project on the 50 best players not in the Hall of Fame in early November.

For now, please enjoy the latest from George Haloulakos. His brief history of the split finger fastball is apropos given the current league championship series. As George writes in his piece, multiple pitchers have used the split finger to take their teams deep into the postseason.
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During the late 1980s, the split-finger fastball was in the words of baseball writer Roger Angell regarded as “a gimmick, a super-toy, a conversation piece and a source of sudden fame and success for its inventor.” While nothing in baseball is truly new, this particular pitch did become an equalizer in the perennial battle between pitcher and batter, and now is a standard weapon in the arsenal of a major league pitcher. In this article, we take a trip back through baseball’s time tunnel to learn more about this amazing pitch and its impact on the game.

The split-finger is essentially a mid-range fastball that suddenly drops under the batter’s swing as it crosses the plate. Thrown at various speeds, the split-finger fastball is gripped between the pitcher’s forefinger and middle finger (very similar to the forkball) but tucked very deeply into the hand. This reduces both the spin and speed of the ball when released. Accordingly, it is often thought of as a “slip-pitch.” If hitting is based on timing, then pitching is viewed as upsetting the hitter’s timing. Due to its sudden drop as it crosses the plate the split-finger was a major weapon in upsetting the timing of many a hitter, especially in the late 1980s.

Here are a few of the pitchers who made a name for themselves using the split finger fastball:

Bruce Sutter: Initially, the pitch first came to prominence in 1959 when Pirate reliever Elroy Face posted a stellar 18-1 win-loss record all in relief. Fast-forward to 1979 when Cub reliever Bruce Sutter relied on the split-finger fastball to win the Cy Young Award that year and then later preserved two wins in the 1982 World Series (including Game 7) as a member of the World Champion Cardinals.

Sutter’s mastery of the split-finger fastball enabled him to punch his ticket into the Baseball Hall of Fame as a 4-time National League “Fireman of the Year” who when he retired held the National League record for career saves with 300.

Roger Craig: The split-finger fastball entered into the mainstream of pitching arsenals in both leagues in the mid-to-late 1980s. Roger Craig is credited with having imparted his own variant of this pitch, most notably to Mike Scott and Jack Morris. Craig noted that both Scott and Morris were able to throw the split-finger at 85 miles per hour or better-– significantly faster than anyone else, and achieving enormous notoriety in both the National and American Leagues.

Jack Morris: In 1984, Jack Morris (having just learned the pitch from Craig during spring training) started the season with a no-hit/no-run game victory versus the White Sox on his way to posting a 19-11 win-loss record and leading the Detroit Tigers to the World Series Championship by pitching two complete game wins in a 5-game triumph over the San Diego Padres. He later cemented his “big-game” reputation by using the split-finger fastball to pitch 10 shut-out innings in Game 7 of the 1991 World Series to lead the Minnesota Twins to a 1-0 win over the Atlanta Braves.

Mike Scott: For Mike Scott, the split-finger fastball was the pitching equivalent of King Arthur’s legendary sword, the Excalibur. In 1986, Scott went 18-10 for the Houston Astros while posting the National League’s lowest ERA at 2.22 and the most strikeouts at 306. Most notably, Scott’s ratio of hits (182) plus walks (72) versus innings pitched (275) was a scintillating 0.92.

Scott’s transformation helped the Astros rocket from a 4th place finish in the prior season to 1st place in 1986, putting a record-setting exclamation point with a new major league first in clinching a pennant: a no-hitter. Scott then reeled off 16 consecutive scoreless innings in the National League Championship Series while recording two wins against the Mets and giving up only one run to the eventual 1986 World Series Champions. This resulted in what is still one of the greatest “what if” scenarios in baseball history as fans have speculated about the Mets’ chances had they been forced to face Scott for a third time in what would have been a seventh and deciding game. The Mets avoided such a confrontation by triumphing over the Astros in a sixteen inning marathon in Game 6, thus clinching the National League flag for the New Yorkers without having to risk it all against Scott.

In the years since, a number of players have expressed that Scott may have scuffed the ball which enabled him to achieve sufficient movement to strike out opposing batters. This perception, only served to give Scott a greater psychological advantage for the Mets were only too glad to not have to face the split-finger artist in a winner-take-all game, as they themselves were convinced that they could not win against such a bewildering pitch.

What caused the unusual movement in Scott’s split-finger fastball? Craig explained that Scott was able to release the ball from his finger tips while throwing in a fast ball motion, thereby creating havoc for opposing hitters. Essentially Scott was able to slip his finger tips down along the outside of the seams, and upon the release, the ball would “tumble” or drop just as it crossed the plate. As a result, Scott recorded 86 wins while pitching for the Houston Astros from 1985-89, and winning 20 games in his final big year (1989) before a shoulder injury ended his career in 1991.

Dave Stewart: Nicknamed “Smoke” for possessing a blazing fastball, Dave Stewart had played for the Dodgers, Texas, and Philadelphia before landing in Oakland in 1986. While with the Athletics, Stewart mastered the split-finger fastball and then became the major league leader in wins with 84 from 1987-90 as he won 20 or more games each year over that period. Stewart excelled in league championship play recording eight wins with no losses while pitching for the Athletics and then for the Blue Jays in 1993. Equally impressive, Stewart was named Most Valuable Player three times in post season play (twice in the American League Championship Series and once in the World Series). He also pitched a no-hitter in 1990 while recording his final 20-win >season.

Like Scott and Morris, mastery of the split-finger fastball gave Stewart an enormous boost in self-confidence which enabled him to achieve unparalleled pitching success in league championship series play. Stewart’s four consecutive 20-game winning seasons helped return the A’s to postseason glory (in 1989 winning their first World Series since the early 1970s) and then in 1993 helping the Blue Jays become the first team to win back-to-back World Series Championships since the Yankees accomplished the feat in 1977-78.

With each baseball generation, new pitching techniques emerge imparting small, nearly imperceptible differences in ball movement and location that can be an infinitesimal difference between victory and defeat. Dizzy Dean once noted after a 1-0 game that the contest was much closer than the final score indicated. Like so many facets of baseball, it is not so much doing big things that make the difference but rather doing the small things in a big way that will often tip the scales of competition one way or another. For awhile, the re-emergence of the split-finger fastball in the late 1980s did just that.

Any player/Any era: Davey Lopes

What he did: If I were to make a list of the 25 or 50 most underrated players in baseball history, Davey Lopes might figure somewhere on there. I suppose it’s easy to forget a man who hit .263 lifetime, whose 557 stolen bases rank 26th on the all-time leader board behind such men as Juan Pierre, Otis Nixon and Willie Wilson. Lopes received two votes his only year on the writers ballot for the Hall of Fame in 1993, not a particularly strong Cooperstown ballot and I doubt many people cried foul.

Lopes’ lackluster defense (1.2 defensive WAR and one Gold Glove lifetime) and late start in the majors at 27 help limit his case for Cooperstown and there are dozens of players I’d enshrine before him. He’s not a Hall of Famer in my estimation. Thing is, upon deeper inspection, Lopes may belong in better company than his numbers would suggest. That’s how it goes for a lot of Hall of Very Good-esque players. And it’s especially true for guys from Lopes’ era of the 1970s and ’80s, no great time for hitters.

Lopes’ 107 OPS+ ties him with Kenny Lofton for 13th-best among modern players with at least 500 steals. Lopes is also one of just seven players with at least 150 home runs and 500 steals, joining Barry Bonds, Rickey Henderson, Joe Morgan, Cesar Cedeno, Paul Molitor and Tim Raines (Lou Brock fell one home run short.)

Era he might have thrived in: Lopes played from 1972 to 1987 and spent much of his career in Dodger Stadium, a ballpark for pitchers in an era that mostly favored them. In a better hitter’s park and offensive era, say Fenway Park or Wrigley Field in the late 1990s and early 2000s, Lopes might’ve hit .300 lifetime, upped his steals totals and had a better shot at Cooperstown.

Why: Park and era define so how much of how a player will do. For instance, I was looking the other day at numbers for Lefty O’Doul, whose .349 career batting average ranks fourth all-time. Thing is, O’Doul did his best work in perhaps the greatest offensive age in baseball history, the late 1920s and early ’30s and he did much of it in hitter’s parks to boot. O’Doul hit .428 lifetime in 960 at-bats between the Baker Bowl and Sportsman Park and .316 elsewhere. Put O’Doul in Lopes’ place and he might struggle to crack .300.

I’d run conversions for Lopes on O’Doul’s 1930 Phillies, but steals weren’t a huge part of the game in those days and I’d like an era where Lopes’ speed and power would each be fully appreciated. He’d get this big-time on the 1999 Red Sox. Running Lopes’ numbers through the stat converter on Baseball-Reference.com, his 1979 season for the Dodgers where he hit .265 with 28 home runs and 44 stolen bases would boost to a .297 clip with 33 homers and 52 steals. Give Lopes the chance to make the majors sooner than 27 and consistently post comparable power numbers and I suspect he’d get a lot more than two Hall of Fame votes and be something more than a relatively forgotten player today.

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Any player/Any era is a column here that looks at how a baseball player might have done in an era besides the one he played in.

Getting an autograph as an adult

I was eight or nine the first time I got an autograph. It happened at Candlestick Park in San Francisco and I know it was sometime during the 1992 season because I got it from Cory Snyder before a game one day. Snyder was in the midst of hitting .269 in his only year with the Giants and Baseball-Reference.com tells me he was worth just one win over a replacement player, someone who wouldn’t have been starting on a team better than San Francisco’s 72-90 club. Still, the faint autograph Snyder left on my Giants hat earned him my everlasting gratitude and to this day, I remain a fan of his.

Sometime around college, getting autographs lost its luster. I majored in journalism, studying more or less to be a sportswriter and one of the sayings in that world is, “No cheering in the press box.” Next to that maxim is an implicit understanding that gathering autographs on the job is strictly frowned upon. It just isn’t professional. I got autographs a handful of times, though by the time I graduated, I’d come to more enjoy the chance to make connections with athletes, to talk with them and get a glimpse of them as people. I value this over a signature and if there’s one part of my childhood gone forever, it’s that autographs hold little magic for me anymore.

It’s not to say that everyone I know shares my viewpoint or should. I have a few friends in the memorabilia world and autographs are big there. I also know that other people haven’t had the luxury I’ve had of getting to chat with a few dozen ex-MLB players, from Hall of Famers to journeymen. For some people, an autograph is the closest they’ll get to that world, and I admit that in a sense, we’re both living vicariously. Getting an interview with a famous baseball player is no more a sign of acceptance into their world than getting their signature. Ultimately, both are souvenirs, and if an autograph puts a smile on someone’s face, who am I to judge? I digress.

I got a new full-time job about a month ago, writing ad copy for an industrial supply company called CWC. I’ve been working hard to help the company launch a new website, and I guess the owner is happy, because a few days ago, he distributed some of his Oakland A’s season tickets that he wasn’t going to use. I got four tickets to Tuesday night’s A’s-Rays game. Better, it happened to be my birthday and my parents were already coming to town for dinner, so I got to surprise them. All things considered, it would prove to be an awesome way to spend a birthday, even if the A’s lost 8-0.

Generally when I go to a game, I sit far up in the stands. I don’t really mind, and it’s usually just cool to be at the ballpark. I don’t get there enough, and if the only way I can do it is through a $12 seat in the upper reserve, so be it. That being said, my boss has season tickets 16 rows from the field, just to the right of home  plate, so my folks and I were sitting in style on Tuesday evening. We were also just by the tunnel to the visitor’s dugout and when we sat down, I quickly realized I might be able to get an autograph for a friend who’s a Rays fan and has been going through a rough stretch. I borrowed a pen from my mom and walked over to the railing beside the tunnel.

I wasn’t sure which player would come my way and I would’ve settled for any of the Rays. I wound up catching one of their outfielders, Sam Fuld. One thing of note: Fuld attended Stanford and has arguably made more of a name for himself as a writer than as a ballplayer, contributing to sites like Grantland between hitting .251 over parts of five seasons. Fuld recently did a piece on Brett Butler for a project at Hall of Very Good (one that I was invited to take part in but couldn’t make) and I mentioned this after Fuld agreed to sign something for my friend. Fuld told me that Butler had actually reached out to him earlier Tuesday about his piece. It was a cool moment and much as my friend got a personalized autograph on the back of a ticket stub, I walked away with an anecdote and an excuse for this post.

Reading Bill James for the first time

I’ve been reading about baseball history much of my life, and when I started this blog in May 2009, I considered myself an expert on the subject. For years growing up, I was the odd person among my friends who could recite World Series winners from memory and dispense anecdotes about Babe Ruth, Ted Williams and others. Needless to say, blogging has been an exercise in humility. Since launching this site, I’ve learned a lot about sabermetrics and baseball history. I’ve also learned how much information is out there that I still don’t know.

Much of what I know about baseball comes from books. My grandfather gave me my first baseball history book when I was eight, and since then, I’ve read through more books than I can count: Ken Burns’s Baseball and Lawrence Ritter’s The Lost Ballparks in early adolescence; Ball FourThe Glory of Their Times and Summer of ’49 in recent years. I figured when I started here I’d read a good chunk of the important baseball books in existence. As it turned out, I wasn’t even close. I haven’t scratched the surface with the works of Bill James, John Thorn, Pete Palmer and many other essential baseball writers. Heck, I still haven’t read much of Moneyball. If I ever venture to a desert island, I’m bringing a sabermetric library with me.

For the time being, I’ve commenced to slowly make my way through a list of books that I assume will make me more well-rounded as a baseball writer, researcher and historian. The top of my list features a mix of sabermetric and historical works:

  1. The Politics of Glory, by Bill James
  2. The New Bill James Historical Baseball Abstract
  3. Baseball in the Garden of Eden, by John Thorn
  4. The Book, by Tom Tango
  5. The Soul of the Game, by Joe Posnanski

I’m a slow reader, frequently distracted, and it might take me a year to get through those books, though I’ve made a small dent in the list. I have a friend who lives nearby and shares my interest in baseball history, the kind of guy who talks about having gone to Baseball Prospectus outreach events in the past, the dude I saw “Moneyball” with last year. (On a side note, I’d love to get this guy involved with SABR– he’d fit right in.) My friend recently lent me a stack of old Bill James’ abstracts along with a copy of The Politics of Glory. I’m about 300 pages in and I’m liking it so far.

To the uninitiated, The Politics of Glory is a 1994 book James wrote about the Hall of Fame– its history, its membership and how James envisioned reforming the museum. I don’t agree with all of it, but a lot of it’s fascinating reading, a good primer for anyone with an interest in Cooperstown. It’s also been interesting to see how well James’ concepts hold up nearly 20 years after publication. Some ideas fare better than others, which is probably reasonable considering there’s stuff I wrote a couple years ago here that I’d just as soon not have my name on now.

Baseball-Reference.com adopted the Similarity Scores idea James introduces in Chapter 9, as well as his Hall of Fame Monitor, Standards, and Black Ink Test that he writes about at length. I see occasional mentions online to James’ “Keltner List” for Hall of Fame candidates that he breaks down for Chapter 22 (here’s Geoff Young doing it for Mark Davis.) And I’m curious if the book got any players into Cooperstown, specifically George Davis, a forgotten Deadball Era infielder the Veterans Committee honored in 1998. James compares Davis favorably to Joe Tinker in Chapter 16, even writing that at the turn of the 20th century, Davis was one of baseball’s best players.

Less remembered is James’ idea in Chapter 21 to convert pitcher’s win totals, winning percentage and games above .500 to a single Fibonacci score. No one ever acted either on James’ proposal in Chapter 29 to have Hall of Fame voting handled by five groups: players, fans, media, scholars and professionals. Then there’s James list on page 365 of players he predicted would be enshrined by this year (Bill Parker blogged about it here.) James correctly predicted 21 honorees, though players he figured would be in by now but aren’t include Joe Carter, Al Oliver and Brett Butler, who received just two votes in 2003, his only year on the writers ballot for Cooperstown.

All things considered, I’m glad to be reading the book, though it comes at an interesting time. James has been under fire recently for some comments he made defending Joe Paterno, and it makes me wonder how relevant the so-called Godfather of Stats is these days. That’s a post for another time. For now, what I’ll say is that I’m glad to be finally reading him. I’m reading Bill James for the same general reason that I’ve read The Great Gatsby and the first few books of the Old Testament. At least in baseball terms, James is part of the canon of the  game’s literature. To not read him, to ignore his work is to miss something vital.

Guest post: In defense of Tim McCarver

Editor’s note: Please welcome the latest from Doug Bird.

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As many baseball fans may be aware, Tim McCarver received the Ford C. Frick Award for his broadcasting, Saturday in a ceremony at the Hall of Fame. I have heard much criticism of McCarver’s broadcasting skills over his 20-plus years behind the microphone.  His many critics lament him for explaining the painfully obvious far too often and for the fact he can’t seem to stop talking about catching for Bob Gibson on those great St. Louis Cardinal teams. I’ve always enjoyed his easy southern style and his obvious love of the game. All I can say is that it can’t be easy trying to find a spot to sit in the broadcast booth beside the massive ego of fellow announcer Joe Buck. Anyone who can accomplish that Saturday after Saturday and during the World Series deserves any baseball award he might receive.

Putting all of his broadcasting accomplishments aside, I believe that Tim McCarver should be in the Hall of Fame for his playing career. His accomplishments as one of the best catchers of his era and as he has stated many times, his catching of the legendary Gibson and Steve Carlton show something of the winning character and ability of McCarver on the baseball field.

McCarver played briefly in the majors from 1959 and returned to the minors until making the Show for good in 1963. He played his last full season in 1979 and briefly came out of retirement in September 1980 making him one of only 29 players to have played in four different decades.

McCarver, along with Detroit Tiger star Bill Freehan, was considered one of the best catchers in baseball during the 1960s. Their statistics rank among the best at that position for that era, an era when offense was considered merely an afterthought for a catcher in the big leagues. McCarver’s stats don’t jump out at you, certainly not by some of today’s standards. His stats were solid and consistent giving him a career batting average of .271 and 97 home runs. To maintain such an average over so many seasons and so many games behind the plate in my opinion, elevates such statistics  to higher heights than merely raw numbers.

He was considered a team leader by teammates and a fierce competitor by those who played against him.  Often intangibles are used as justification for those players elected into the Hall of Fame when those type of debates are bantered back and forth as to the merits of this player or that. I myself have been guilty of claiming that this player or that simply doesn’t have the numbers which should be required to get the necessary votes. But on occasion I believe such an argument is valid and goes beyond mere numbers.

McCarver  had, and has, a deep understanding and appreciation of what it takes to play many seasons in the major leagues. McCarver has the championship rings to prove he was a winning player and a player who represented all that we hold dear in a professional baseball player. I feel his playing career has been sorely overlooked and forgotten.

Thank you, Robert Creamer

My great-grandmother lived to be 92, dying when I was 11. Gigi, as my family called her, spent the final few years of her life in a nursing home in Ripon, California about an hour south of where we lived in Sacramento, and my mom took me and my sister to visit her almost every week. The general pattern was to pick Gigi up and go for food, Mexican or Chinese in Ripon, McDonalds or Olive Garden in nearby Modesto, and there’d usually be time to talk.

I’ve loved history, particularly primary source history as long as I can remember, and with Gigi being born in Oakland in 1902, I knew she had a wealth of stories. I wish I’d been old enough to ask her more about her memories of standing on the East Bay waterfront in the aftermath of the 1906 San Francisco Earthquake, watching the city burn. Still, even her small, inconsequential stories of growing up and raising my grandmother during the Great Depression enthralled me. It was like having a window into another world.

Maybe that’s part of the reason I’m drawn to baseball history, why I can talk at length with men who knew Joe DiMaggio, Ted Williams, or Willie Mays. I started research on a book two years ago on a man named Joe Marty who played in the majors from 1937 to 1941. At the time I set out on my project, four of Marty’s big league teammates were still living, and I got to interview one of them. I can’t describe how surreal that phone conversation was, the wonder I felt hearing this man, who was 96 at the time and has since died, tell me first-hand anecdotes about Marty, who died in 1984 and has otherwise been challenging to research. How I welcome the opportunity to cut through myth and get a glimpse of the realities people lived.

In this spirit, I got to do an email interview this past winter with founding Sports Illustrated editor and longtime baseball writer Robert Creamer. I’m still amazed by the experience. Creamer, who died at 90 on Wednesday, gave an enchanting, beautiful interview. The man who wrote the definitive biographies on Babe Ruth and Casey Stengel took almost three weeks to answer my questions, offering more than 4,000 words and a lifetime of baseball knowledge in response. Creamer wrote of watching Babe Ruth hit home runs, of being at the Polo Grounds in 1951 when Mays hit his first career home run and again in 1954 when the Say Hey Kid made his famous catch in Game 1 of the World Series.

I’ve done many interviews, and they often go well. My subjects are usually interesting people, often baseball writers I admire or former players, and I also believe everyone has a story. I’ve found it’s generally a matter of asking good questions, helping a person feel comfortable and listening. All this being said, I knew before Creamer was halfway through my questions that he was offering something remarkable. There’s a part in the foreword to John Kennedy Toole’s Pulitzer Prize-winning book, A Confederacy of Dunces where novelist Walker Percy remarks of his reading the manuscript for the first time and having thought, “Surely it was not possible that it was so good.” I felt a little like that each time one of Creamer’s emails came in with another question or two of mine answered.

For instance, I asked Creamer about his favorite baseball memories. His reply so struck me I read it aloud to my mom. Creamer began:

This is a very tough question to answer, first of all because some of one’s most treasured memories have nothing to do with the big leagues but with personal experience. I remember when I was about nine around 1930 being in our backyard with my grumpy old grandfather. I was throwing a rubber ball against the back of our neighbors’ garage and trying to field it. Suddenly Pop asked me “You like baseball?” I said “Sure!” He said “What position do you play?” I said,”Shortstop,” which was simply a nine-year-old’s dream back before Little League and organized kids sports. He said, “I used to play shortstop,” and I was astonished. This cranky old man had played baseball? Had played shortstop?

That’s all I remember of the conversation, but some time later the local daily ran a sentimental Look-Back issue, reprinting pages from an 1890 newspaper, and there was a story about the Mt. Vernon All-Stars beating the Wakefield 200, and there in the boxscore was my grandfather’s name — Fred Watts, ss. — and he had a hit! And my uncle John Brett played right field. It wasn’t until years later that I realized it must’ve been a picnic-type game for a barrel of beer, but for a kid, seeing his grandfather’s name in the newspaper playing shortstop for the “Stars”– that was a thrill I still remember. There are a lot of non-pro things I can recall and which meant then and still do now a great deal to me.

Creamer gave a powerful, touching interview, something that could’ve and probably should’ve run somewhere much larger. I was lucky to get to share it here.

Creamer and I kept up for a few months after the interview. He was fun to email with, witty, helpful and always kind to me. I’ve undertaken two projects on my blog since I interviewed Creamer, and I invited him to write for both of them. When he said no for the first project, he told he’d been having some health woes and that it was difficult for him to write much of anything, even short emails. I didn’t realize the gravity of Creamer’s situation, that he might have anything like the prostate cancer that ultimately took his life. Creamer was still gracious enough from his sickbed to put me in contact with one of his former SI colleagues, Walter Bingham, who contributed a piece on Casey Stengel that I linked to in April for the first project. Creamer also offered encouragement for my writing and even wrote me a letter of recommendation on April 25. Regrettably, it was the last I heard from him.

Creamer turned 90 on July 14, and I organized a birthday card of sorts through this site. My goal was to have people leave comments saying how Creamer touched them and to put a smile on his face and help make his birthday special. I’m wondering now if he saw the post. I wouldn’t expect it, though perhaps this piece can be sent to Creamer’s family. I’d like them to know how grateful I was for the opportunity to talk with him, what a wonderful man and baseball writer that he was. He set a fine example for me and, I’m guessing, countless others. I’ll cherish my association with him.

Let’s wish Robert Creamer a happy 90th birthday

Over the winter, I was fortunate enough to interview longtime baseball writer Robert Creamer. He gave a fantastic interview, one that could’ve ran anywhere and is a must-read for any baseball fan or aspiring writer. Creamer and I have kept in contact since then, and I feel lucky to consider him one of my mentors. From the beginning of our association, Bob, as he insisted I call him, has been generous with his time and I enjoy exchanging emails with him.

Now, I’d like to return the favor.

It’s Friday evening in California as I write this, and in a few hours, Bob turns 90. For my present to him, I’d like to do something that a blog lends itself perfectly to. I’d like to invite anyone reading to share in the comment section below about how Bob has touched them, what his writing has meant. It shouldn’t be too hard. Bob did great work in his 30 years at Sports Illustrated and wrote the definitive biographies on Casey Stengel and Babe Ruth. (For what it’s worth, I think the Hall of Fame is well overdue on honoring Bob in its writers’ exhibit.)

Bob checks his email regularly, at least daily generally, and I’ll be sending him a link to this page after there’s at least a few comments here. Let’s put a smile on his face and wish him a happy 90th birthday.

My first piece in the San Francisco Chronicle

As anyone who’s a regular here has surely noticed, posting at this site has been a bit sparse of late. I’ve had a bit going on in my life, including a new job, and the truth is I’ve also been at a bit of an impasse here. I run hot and cold with this website, and for the past couple of months, my creative fires have cooled, at least in regard to BPP. I assume they’ll come back; they always do.

I apologize for anyone who misses my writing here, though with that being said, as the title would suggest, I have some cool news. A few months of hard work (that I’ve neglected to mention here before now) has culminated with my first-ever freelance piece in the San Francisco Chronicle. I wrote about Tony Gomez, a sandlot player from the 1930s who faced an uphill battle getting into professional baseball because of the dark color of his skin.

The story will be in the Tuesday edition of the paper and can be read online here.

I hope everyone enjoys this story, and I’d love some constructive feedback from anyone who can offer it. My hope is that this is the first of many pieces in the Chronicle and that I can build on my work and continue to grow as a writer.

Guest post: Curt Flood, the forgotten man

The Curt Flood story is a sad one indeed. It is the story of a proud man who refused to compromise his beliefs. It is the story of a man who took on the baseball establishment with little or no support from his fellow players for the future benefit of all players. It is the story of a man ahead of his times and a rare human being who refused to back down when he knew that what he was doing was right, no matter the consequences. He paid dearly for those convictions and deserved much better than he got.

Flood died January 20, 1997 with only a brief mention from the press and few comments from those who played with and against him. He made his major league debut September 9, 1956 with Cincinnati and finished his career with the Washington Senators in 1971.  His recognition as a legitimate major league star came during his tenure with the St. Louis Cardinals Flood won seven consecutive Gold Glove awards and batted over .300 six times. He was an integral part of the Cardinals championship teams in 1964 and 1967 and their National League champion team of 1968.

The off season of 1969 proved to be the most pivotal of his baseball career and his life. Flood found himself part of a package of players being sent to the then lowly Philadelphia Phillies by the St. Louis Cardinals. Up until this moment, trades were made with no regard to those players involved and players had no recourse to challenge being sent to this city or that. The accepted attitude amongst players, at least publicly, was a quiet acceptance of their circumstances. They had no rights under the laws of baseball and once a contract was signed, a team owned that players for a time period designated solely by the whim of the team. If a player was unhappy about being traded, his only option was to retire from baseball. His ability to earn a living and play a game he loved was completely out of his hands.

Curt Flood tried to change all of that in the winter of 1968-69. Flood at the time was making a salary of $100,000, a salary only the very best in baseball were able to command. $100,000 was a number players sought, not only because of the amount, but because it showed that they were among the best players in baseball. Flood, by his refusal to report to the Philadelphia Phillies stood to lose money and prestige.

After a meeting with then Major League Baseball Players Association president Marvin Miller during which Miller told Flood that the union was prepared to sue baseball over the Reserve Clause, Flood decided to challenge baseball.

On December 24, 1969, Flood wrote the following letter to then baseball commissioner Bowie Kuhn.

After twelve years in the major leagues, I do not feel I am a piece of property to be bought and sold irrespective of my wishes. I believe that any system which produces that result violates my basic rights as a citizen and is inconsistent with the laws of the United States and of the several States.

It is my desire to play baseball in 1970, and I am capable of playing. I have received a contract offer from the Philadelphia club, but I believe I have the right to consider offers from other clubs before making any decision. I, therefore, request that you make known to all Major League clubs my feelings in this matter, and advise them of my availability for the 1970 season.

Kuhn refused Flood’s request, and in January 1970, Flood filed a $1 million lawsuit against Kuhn and major league baseball. In a vote of 5-3, the Supreme Court decided to set aside any decision and leave things the way they were (stare decisis). Flood sat out the 1970 season and returned in 1971 to play for the Senators but his career was, in effect, over.

Four years later, arbitrator Peter Seitz ruled that two pitchers who had followed Flood and sat out an entire season were now considered free agents. The era of freedom for players had finally begun. For Curt Flood, this decision was too little too late. Flood had stood up to the establishment and lost. His legacy was finally acknowledged by Congress in 1997 and legislation the next year was introduced to formally protect baseball players, the Curt Flood Act of 1998. Flood finally won. Sadly, he died before realizing his dream.

Any player/Any era: Earl Averill

What he did: I kicked off a new project here Monday, having people vote on a 50-player inner circle for the Hall of Fame, and I suppose it’s no surprise Earl Averill is an afterthought in voting. Players like Averill often suffer in these exercises. Averill, who currently has two votes, played just 13 years in the majors, needing until a month before his 27th birthday in 1929 to debut. His lifetime numbers pale compared to legions of greats who’ve appeared more recently. Even his place in Cooperstown wasn’t easily come by. Averill campaigned for a plaque for years after retiring in 1941, Bert Blyleven for an earlier generation, and it took until 1975 for the Veterans Committee to recognize him.

This isn’t to say Averill doesn’t deserve his due. His 238 home runs, .318 batting average, and 133 OPS+ place him among the best hitters of the 1930s. His 45.1 WAR, while distantly down the career leaderboards, isn’t bad for 13 seasons– just 142 players in baseball history have posted a better total in that span. Averill is certainly one of the greatest Cleveland Indians of all-time, arguably worthy of the franchise’s Mount Rushmore. And I wonder what he might have done with a longer career.

Era he might have thrived in: Averill was a product of his environment, beginning with a town club in 1920 in his hometown of Snohomish, Washington and eventually working his way to the Pacific Coast League and, after starring for three years in that circuit, the majors. He debuted in the American League during a golden age for hitters and took advantage of an ideal home field for offense, League Park in Cleveland, hitting .360 there with a .439 on-base percentage and .625 slugging line. It might not be easy to find Averill a superior situation, though I assume it’s possible.

With Averill’s size, 5’9 and 172 pounds, he might not get drafted today. But I’m reminded a little of Mel Ott. A similarly diminutive outfielder and left handed hitter, Ott also took advantage of a ballpark seemingly built for him. Where it was 290 feet to right field in League Park with a 40-foot fence for Averill, Ott faced just a 258-foot right field porch at the Polo Grounds which helped him hit 323 of his 511 career home runs there. Age and raw talent wasn’t a hindrance for Ott, either, as he got a contract at 17 from the Giants who let him sit the bench a couple years before he became a regular player. Without giving too much away, Ott seems like a lock for my project’s inner circle. With similar career circumstances, Averill might have similar odds.

Why: Numbers talk in discussions about all-time greats, and while Averill wasn’t quite the power hitter that Ott was, I suspect that with a full career and a better park for his skill set, he might have come somewhere close to doubling his lifetime home run totals. I looked at the rates that Averill and Ott homered at their primary parks and elsewhere, and I found that Averill didn’t hit balls out at a terribly worse pace at home or on the road than Ott did.

Home run splits for the two players are as follows:

Player and park HRs PAs HR rate
Averill at League Park 126 2796 1 every 22.19 PAs
Averill elsewhere 112 4425 1 every 39.51 PAs
Ott at Polo Grounds 323 5600 1 every 17.34 PAs
Ott elsewhere 188 5748 1 every 30.57 PAs


I’m guessing that playing 22 seasons with the Giants, as Ott did, Averill would have finished with somewhere above 400 home runs. For a pre-World War II player, this would’ve placed Averill at the top of the home run leader charts and assured him a sooner spot in Cooperstown and the baseball pantheon. That could be enough to at least make him something more than a relatively forgotten man today.

Any player/Any era is a Thursday feature here that looks at how a player might have done in an era besides his own.

Others in this series: Al KalineAl RosenAl SimmonsAlbert PujolsArtie WilsonBabe RuthBad News RockiesBarry BondsBilly BeaneBilly MartinBob CaruthersBob FellerBob WatsonBobby VeachCarl MaysCesar CedenoCharles Victory FaustChris von der AheDenny McLainDom DiMaggioDon DrysdaleDoug Glanville,Ed WalshEddie LopatElmer FlickEric Davis, Frank HowardFritz MaiselGary CarterGavvy CravathGene TenaceGeorge W. Bush (as commissioner)George CaseGeorge WeissHarmon KillebrewHarry WalkerHome Run BakerHonus WagnerHugh CaseyIchiro Suzuki, Jack Clark, Jack MorrisJackie Robinson, Jim AbbottJimmy WynnJoe DiMaggioJoe PosnanskiJohnny AntonelliJohnny FrederickJosh GibsonJosh HamiltonKen Griffey Jr.,Kenny LoftonLarry WalkerLefty GroveLefty O’DoulMajor League (1989 film),Mark Fidrych, Matt CainMatt NokesMatty AlouMichael JordanMonte IrvinNate ColbertNolan RyanOllie CarnegiePaul DerringerPedro GuerreroPedro MartinezPee Wee ReesePete RosePrince FielderRalph KinerRick AnkielRickey HendersonRoberto ClementeRogers HornsbySam CrawfordSam ThompsonSandy Koufax Satchel Paige, Shoeless Joe JacksonSpud ChandlerStan MusialTed WilliamsThe Meusel BrothersTony PhillipsTy CobbVada PinsonWally BunkerWes FerrellWill ClarkWillie Mays