An interview with Rob Neyer

Editor’s note: The following conversation took place this morning by phone. For the second straight day, I’ve got to say it: Thank you Rob Neyer

First off, thank you so much for being up for this. I just got a few questions. I know you’re a busy guy. The first thing I wanted ask you was leaving ESPN, it seemed like you probably could have had your pick of going anywhere you want, any publication or being a consultant for any number of teams or baseball-related museums such as the Hall of Fame. Why did you choose SB Nation?

Neyer: Well, I wouldn’t say that I would have my pick. That would be a lovely situation to be in. Certainly, I’ve had opportunities over the years to leave and work with lots of great people, but none of those things ever felt exactly right. It never made sense for me to leave ESPN, which is a wonderful place to work, unless it felt exactly right, and this, SB Nation was really the first time I felt like that. It’s just an immensely energetic, creative place with just a huge roster of talent, a [ton] of sports blogs, very high quality. And it just seemed to fit in with what I’ve been doing my whole career.

How long was this all in the works?

Neyer: I think, like almost anything else, on some level it’s sort of always been in the works. There’s no real moment I can point to. Certainly, I’ve been admiring SB Nation for a long time time, and I became friendly with Tyler Bleszinski some years ago, just on a sort of professional level. Tyler’s the one who started SB Nation… and we certainly always thought it’d be fun to work together some today. But you have a lot of discussions like that with people. I certainly didn’t know that it was going to come together or think that it might until fairly recently.

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Does SB Nation, does it parallel at all the early days of ESPN, like maybe say the late ’90s?

Neyer: I would probably go back a little bit further than that. I joined ESPN.com, which actually was then called ESPNet.sportszone.com in 1996, and it very much had the feel of a start-up, you know a very well-financed start-up no question. Paul Allen (the co-founder of Microsoft) was behind it, and of course, Paul Allen was then a billionaire and still a billionaire. But there was an energy around that company, Starwave, which had a number of Web sites including ESPN. There was an energy around that company that you really couldn’t help sort of be imbued with. One thing I liked about being there at that point was that it sort of felt like you could do almost anything, that you could just try things. If it didn’t work out, that’s okay, and if it did work out, nobody would say, ‘Hey, you’re not really supposed to be doing that. You’re supposed to be doing this.’

That’s how I became a baseball columnist, essentially. I was hired as a– I think my official job title for awhile anyway was fantasy editor. That was job: edit and generate some fantasy content for the fantasy sports that we had on the site. But it really wasn’t what I wanted to do, and I discovered that fairly quickly. So I spent more and more of my time just writing, and nobody ever said, ‘Hey Rob, stop doing that.’ I was fortunate that I had editors and other people there who were very supportive of what I wanted to do and what seemed to be working for me. Within a couple of years, I wasn’t a fantasy editor, I was just a columnist, a baseball writer. And obviously, that’s what I’m still doing.

That culture at ESPN.com, does that still exist to a certain extent? Has it kind of gone away as the organization has gotten bigger?

Neyer: Look, I’m just one guy, and it’s a huge company. I certainly wouldn’t want to say that there aren’t still opportunities to strike out in different directions. I think that there probably are. I think there are people who do that. I just didn’t figure out how to do it. Over the last four or five years, I felt like I maybe hit– I don’t want to say I was in a rut, because it didn’t feel like a rut. I just felt like I’d maybe taken it as far as I could. But that’s not ESPN’s fault, that’s probably my fault for not being smart enough to figure out how to do other things.

I think a lot of people at some point in their career they just come to a spot where a change is good, not because of a problem with the old place, but because the new place sort of forces one to step back and say, ‘You know what? What do I really want to be doing? And how do I do that?’ And I think that SB Nation is really– I mean, I’ve been there for a day, and I’ve already been doing some things that– you know, small things but some things that I’ve never done before. And it’s been a lot of fun.

What’s an example of one of those things?

Neyer: This is a very tiny thing and will sound inconsequential to anyone, I suspect, but what I wanted to do for a long time in my blog at ESPN was write very short blog entries or short comments, maybe 100 words, 200 words. I never really felt like I had the right spot to do that. I was limiting myself, I think, in that regard, so I have nobody to blame but me. All I can say is SB Nation has a place on the baseball page that’s perfect for a short comment or commentary of 50 words or 100 words, something between Twitter and a full blown column.

I was a blogger at ESPN the last three or four years, technically or officially, but really all I was doing was writing more columns, column-length blog entries, and I didn’t really get the hang of writing the short, catchy stuff that I think really fits into a blog. Whether it was the format of the blog or what it was I don’t know, but all of a sudden, I feel very liberated like I can write anything between 50 words and 1,000 words, and there’s a place to put that.

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I know you kind of got your start with Bill James, and Bill James was somebody who, 30 years ago, his stuff was considered too off-track of the mainstream, and he kind of had to create his own ideal. I don’t know, you think you were thinking at all of Bill James when you made this move?

Neyer: Good question. I sort of internalized Bill James, reading everything he’s written essentially, much of it multiple times and working for him for four years. I don’t think of Bill James every day. He passes through my thoughts, obviously, but I don’t sort of consciously think, ‘Okay, what would Bill do here?’ But it does happen. I think that some people might regard my writing style, for example, as a poor man’s Bill James. There probably is something to that. Sometimes, I’ll read something that I’ve written– I don’t read my own stuff very often after the fact–  but if I do, I think, ‘Oh wow, that was sort of me channeling Bill James, wasn’t it?’ I really can’t get away from it at this point, but I don’t know if leaving ESPN and joining SB Nation really has anything to do with an ethos that Bill might be an exemplar of.

I do think that one thing that characterized Bill for a long time, really for his entire career as a writer is a willingness to write things that might make people uncomfortable, an unwillingness to allow people tell him what to write. And one thing Bill’s never really done is write for a big entity with a structure and a hierarchy where someone could say, ‘You know what Bill? You can’t write that.’ Every writer would love to have that situation. Bill was able to make it work. Most of us can’t.

I certainly had standards at ESPN, some of which I found chasing, and I’ll have standards and practices and guidelines at SB Nation, maybe not quite as restrictive. I’ve been encouraged to push the envelope a little bit, which I really appreciate. But still, I can’t just write the thing that pops into my head and expect that it will pass muster.

Certainly, I mean the blogosphere is a meritocracy. I believe that.

Neyer: I think so. There are so many great writers out there on the Web, many of whom do it purely because they enjoy it, not for the money. It really is amazing how quickly it can happen.

I have a friend, Carson Cistulli who I started on ESPN.com, and it didn’t really work out for reasons beyond his and my control. It was discouraging for me because I thought, ‘You know what, I found this guy.’ I shouldn’t say I found him, I discovered him. But I appreciated him. I was convinced he was talented and had a really interesting voice, and I tried to get him out there where a lot of people could find him, and it didn’t work. Again, it was discouraging. Well it was then a month, two months, he was at Fangraphs, then he was at someplace else. Now, he’s all over the place.

That whole process took maybe two months, three months, and it really can happen. With a small break here or there and a voice, you can move up pretty quick on the Web, and I don’t know exactly if it was like that before the Web.

What do you think is the best course for a young writer starting out right now? Do you think it’s still smart to shoot for a place like Sports Illustrated or ESPN.com or do you think it’s kind of better just to sort of create your own thing?

Neyer: Look, I’m sure there are lots of ways to get where a person wants to be. I would never tell someone, ‘Don’t shoot for ESPN.’ If that’s your dream, then that’s what you should shoot for, and there are ways to do that. It’s very difficult to plan for a destination like that, though. I guess Bill Clinton wanted to be president when he was 19 or something, and he did it, Barack Obama did. I suppose that there’s something to be said for setting what seem to be unreasonable goals at a young age or early in a career. I’ve never known how to make that sort of thing work, maybe it’s just me.

To me, if you’re a young writer, the thing to do is read lots of good writing, do lots of writing and hope that it becomes good, and if you do that, there’s ways to move up. I think for a relatively long time, the notion has been, ‘Well, I’ll start a blog, and it’ll be so good someone will notice me, and I’ll get to write somewhere else and move up.’ And that works. It has worked. But now, there’s even another way, which is you can just write what are called fan posts. They actually show up, and people see those too. And if you’re good enough at that, you’ll move up. They’ll say, ‘Hey, we love your fan posts, will you write for the site regularly?’ ‘Yeah I will,’ and you’re on your way. This really is an exciting time for writers.

It’s funny because the notion is that there’s less money out there for writers. And certainly we see lot of people in the media get laid off and retire earlier, that sort of thing. It’s harder to make money writing books, I think, than it ever has been. But, by the same token, the barriers to entry whether it’s writing books or writing on the Web or whatever is much lower than it’s ever been before. Maybe you’re not going to make a lot of money writing, but if what you want to do is write and make some living or even just as a part-time job, the opportunities are out there like they’ve never been before. I think this is probably the best time ever to be a young writer.

Other interviews: Joe Posnanski, Josh Wilker, John Thorn, Hank Greenwald

How Harry Leon Simpson Became “Suitcase”– Not the Way You Think!

With Steelers mania in my hometown of Pittsburgh at full throttle during this week leading up to the Super Bowl, I decided to add a little balance to my life by finally sitting down to watch the 20-DVD Major League World Series set issued last year by Major League Baseball.

I worked my way up to the 1957 World Series that pitted the New York Yankees against the Milwaukee Braves. Watching the clips from Game 3, I was surprised to see Harry “Suitcase” Simpson at first base for the Yankees.

Even though I’ve never been a Yankee fan, my Bronx-raised father avidly rooted for the Bombers. And in 1957, my family lived in Puerto Rico where the Armed Forces Radio game of the week always featured, or so it seemed, the Yankees. So I was somewhat surprised that I had no clear recollection of Simpson’s brief Yankee days which totaled 99 games in parts of 1957 and 1958.

Still, as I watched Simpson stroke a first inning RBI single, I was happy to be reminded of him. “Suitcase,” I thought, is a great nickname. One of my minor peeves about modern baseball is the virtual disappearance of creative nicknames. “A-Rod,” “K-Rod,” “I-Rod,” and “Gorzo” aren’t nicknames in the true sense of the word.

I grew up with the Pittsburgh Pirates and Bob Prince who had a way with nicknames: Vernon “Deacon” Law, Don “The Tiger” Hoak, Bill “The Quail” Virdon, Gene “The Stick” Michael, and Dave “The Cobra” Parker all have solid baseball rings to them.

Prince and his broadcasting partner Jim Woods also had great monikers. They were, respectively, “The Gunner” and “The Possum”

Going back further in baseball history, nicknames were even more colorful: “Noodles” Hahn, “Hippo” Vaughn, “Piano Legs” Hickman and “Three-Finger” Brown for example.

Digging deeper, the story I found behind Simpson’s nickname floored me. If I asked 100 of my contemporaries to explain how Simpson became known as “Suitcase,” I’m confident that they would all answer that it was a reference to his numerous trades that caused him to constantly be packing his suitcase. After all, Simpson was traded eight times during the four years from 1955 to 1959.

But according to the Cleveland Indians official 1952 sketch book, Simpson got his nickname from sportswriters who likened him to the Toonerville Trolley character named Suitcase Simpson. The date of this revelation, 1952, was years before Simpson’s multiple trades. And the sketch book added the mostly useless information that Simpson’s childhood nickname was “Goody” which came from his willingness to help out his neighbors in his childhood hometown of Dalton, Georgia.

A few other forgotten facts about Simpson surfaced during my research. “Suitcase” was a better than average player during his short eight year career.  For the Kansas City Athletics during his All Star 1956 season, Simpson hit 293 with 21 home runs and 105 RBIs. That year, Simpson led the league in triples with eleven. He won the triples title again in 1957 with 9. In 1955 with the Athletics and the Cleveland Indians, Simpson hit .300

As the old saying goes, you learn something new every day– but rarely about “Suitcase” Simpson.

Thank you Rob Neyer

Everyone around the baseball blogosphere has been writing thank you posts for Rob Neyer, who announced this week he was leaving ESPN.com and joining SB Nation, and I’d be remiss if I didn’t add something as well. But before I thank Neyer, I should thank Joe Posnanski. Or ESPN.com. Or Twitter.

In September, Posnanski granted me an interview that went for one of the greatest hours of my writing life. I’d have been okay if the Sports Illustrated writer, blogger, and busy family man had offered five halfhearted minutes. Posnanski was one of the best subjects I’ve ever encountered. And I say this as someone who’s interviewed Rollie Fingers (who was dull), Jose Canseco (who subtly asked me if I’d read Vindicated— I hadn’t), and Ozzie Smith (who was the commencement speaker at my college my sophomore year and was wonderful.) If I ever make it as a baseball writer, I hope I’m half as humble as Posnanski.

Within hours of me posting the interview, it was up on Baseball Think Factory, and they referred a heavy amount of traffic by their standards (500 unique visitors– I’m happy to get 100-200 from them.) A few days later, a visitor commented that he’d seen my article up on Neyer’s ESPN blog, the Sweet Spot. That was the day my blog got almost 2,000 unique visitors, which was the record here until Neyer linked again in December and gave me so much traffic the server crashed. It remains my high water mark as a blogger, and friends give me high fives when I tell them about the server crash. I hear it’s called being aneyerated.

One other cool thing happened after Neyer linked to me: I got an email saying he was following me on Twitter. I thought it was a joke at first, and then after checking his page, seeing it was a Verified Account and that he had 300 people he was following and more than 15,000 followers, it just seemed surreal. Every other big name sportswriter has ignored me on Twitter. Even Posnanski. I keep worrying that Neyer will get sick of my random Sacramento Kings Tweets (a man has to rep his hometown) and attempts at humor, or that I’ll sneeze and he’ll unfollow me, but it hasn’t happened yet. He’s even linked to me a couple more times because of Twitter.

I wish Neyer well in his new endeavor and applaud him for trying something new. After reading his inaugural SB Nation post today, I Tweeted that Neyer had made the boldest move in sports journalism so far this year. I’d be lying if I said I didn’t hope to eventually write for ESPN or SI or most any other major publication that would have me. But maybe Neyer has the right idea, and I wouldn’t be surprised if he comes out better for it, with the media landscape continuing to change. It wouldn’t be the first time he’s set a great example for an up-and-comer like me. I just hope he does a link post in his new space.

Does he belong in the Hall of Fame? Barry Larkin

Claim to fame: The shortstop for the Cincinnati Reds from 1986 to 2004, Larkin was a 12-time All Star, three-time Gold Glove winner, and the 1995 National League MVP. In January, Larkin appeared for the second time on the Baseball Writers Association of America’s ballot for the Hall of Fame and received 62.1 percent of the vote– less than the 75 percent he needed to get in but a sizable improvement from the 51.6 percent he received in 2010. With Bert Blyleven and Roberto Alomar to be enshrined via the writers this summer, Larkin looks like one of their logical next inductees in 2012.

Current Hall of Fame eligibility: Larkin has a maximum of 13 more years of eligibility remaining. If he’s not ultimately enshrined, whether by the writers or the Veterans Committee, Larkin would have a dubious first: In 75 years of Hall of Fame voting, no player who’s received more than 50 percent of the BBWAA vote in his second year of eligibility has failed to earn an eventual spot in the Hall of Fame. Others who’ve followed this path, like Roy Campanella, Juan Marichal, and Ryne Sandberg got into the Hall of Fame by their fifth year on the ballot. Larkin seems a certain pick for Cooperstown. Whether this is deserved or not is another question.

Does he belong in the Hall of Fame? It depends on one’s criteria. For those who see Cooperstown as strictly a place for the Babe Ruths, Ty Cobbs, and Hank Aarons of baseball, Larkin doesn’t come close. He’s too flawed a candidate by that measure, too mortal, someone with few healthy seasons (just four seasons with more than 150 games) and several borderline Hall of Fame stats from his .295 batting average to his 116 OPS+ to his 68.9 WAR. One might even call Larkin overrated, a player who wouldn’t be anywhere close to Cooperstown had he put up the same hitting numbers as a center fielder.

All that being said, Larkin would be far from the worst shortstop in the Hall of Fame, and I wouldn’t be against enshrining him. Larkin might not be on par with Honus Wagner or Cal Ripken Jr or Alex Rodriguez, but TheBaseballGauge.com lists Larkin having a better career WAR than 14 shortstops in Cooperstown:

  • Luis Aparicio
  • Dave Bancroft
  • Ernie Banks
  • Lou Boudreau
  • Travis Jackson
  • Hughie Jennings
  • Rabbit Maranville
  • Pee Wee Reese
  • Phil Rizzuto
  • Joe Sewell
  • Ozzie Smith
  • Joe Tinker
  • Bobby Wallace
  • George Wright

The only inactive shortstop with a better career WAR than Larkin who isn’t in the Hall of Fame is Bill Dahlen, a solid, if not great Deadball Era shortstop who played in Wagner’s shadow and spent 21 years in the majors, all told. In 2006, my colleague Cyril Morong called Dahlen the best eligible player not in the Hall of Fame. I wouldn’t be surprised if Cyril and Dahlen’s other champions decry when Larkin is inducted. Same goes for Vizquel or Alan Trammell or Dave Concepcion who had a distressingly strong showing with the Veterans Committee in December. Then and now, image is everything for a shortstop to get into the Hall of Fame.

Does he belong in the Hall of Fame? is a Tuesday feature here.

Others in this series: Adrian Beltre, Al OliverAlbert BelleBert Blyleven, Billy Martin, Cecil TravisChipper JonesDan QuisenberryDave ParkerDon Mattingly, Don NewcombeGeorge Steinbrenner, George Van Haltren, Jack MorrisJoe Carter, Joe Posnanski, John Smoltz, Juan Gonzalez, Keith Hernandez, Ken Caminiti, Larry WalkerMaury WillsMel HarderPete Browning, Phil Cavarretta, Rafael Palmeiro, Roberto Alomar, Rocky Colavito, Ron Guidry, Smoky Joe Wood, Steve Garvey, Ted Simmons, Thurman MunsonTim Raines, Will Clark

Halls of different Fame

My friend and occasional contributor here, Rory Paap got his first link from Rob Neyer of ESPN.com on Friday. Neyer had proposed a new addition to Cooperstown he called the Wing of Amazing, “for players who really don’t belong in the Hall of Fame because they weren’t good enough, but did some things that do deserve to be celebrated.” Rory nominated Billy Wagner, writing that he wasn’t sure if the recently-retired closer deserves a regular spot in Cooperstown, but:

What I do know is that a young boy who is born right handed, breaks his arm, learns to throw lefty given the injury, only grows to 5’9″ and yet still manages an average fastball of over 96 miles per hour — from 2002 on, as available from Fangraphs — with incredible control and consistency, is amazing.

For sure. Neyer said he would have to be sure Wagner is “the only pitcher his size who’s ever thrown that hard (and been successful).” That may or may not be true, as 5’6″ 139-pound Bobby Shantz had 152 strikeouts in 1952, and 5’7″ 138-pound Bob Caruthers was one of the top strikeout artists of the American Association of the 1880s. All the same, the general idea got me thinking.

I write about whether people belong in the Hall of Fame every week, and what eight months of doing this has shown me is that there are many more good, if not great players than will probably ever get into Cooperstown. There are also lots of players who made memorable contributions to baseball or are at least worth remembering for some other reason, even if their careers weren’t Hall-worthy.

I like Neyer’s idea, though it’s worth noting: Such a place exists. The Baseball Reliquary in Southern California honors “individuals– from the obscure to the well-known– who have altered the baseball world in ways that supersede statistics.” In fact, stats do not play a role in determining whether a player gets into what Baseball Reliquary calls its Shrine of the Eternals.

Thirty-six people have been en-Shrined thus far, and they range from a one-armed pitcher to a catcher/CIA operative to baseball’s first deaf star, among others. In alphabetical order, the honorees are:

Jim Abbott, Dick Allen, Roger Angell, Emmett Ashford, Moe Berg, Yogi Berra, Ila Borders, Jim Bouton, Jim Brosnan, Bill Buckner, Roberto Clemente, Steve Dalkowski, Rod Dedeaux, Jim Eisenreich, Dock Ellis, Mark Fidrych, Curt Flood, Josh Gibson, William “Dummy” Hoy, Shoeless Joe Jackson, Bill James, Bill “Spaceman” Lee, Roger Maris, Marvin Miller, Minnie Minoso, Buck O’Neil, Satchel Paige, Jimmy Piersall, Pam Postema, Jackie Robinson, Lester Rodney, Pete Rose, Casey Stengel, Fernando Valenzuela, Bill Veeck, Jr., and Kenichi Zenimura.

The 2011 ballot is out for this, the 13th annual election that will occur in April, with an induction ceremony to follow the third weekend in July in Pasadena, California. The new ballot has 50 people on it, namely:

Eliot Asinof, Frank C. Bancroft, Steve Blass, Chet Brewer, Charlie Brown, Jefferson Burdick, Glenn Burke, Helen Callaghan, Charles M. Conlon, L. Robert Davids, Dizzy Dean, Ed Delahanty, Bucky Dent, Hector Espino, Donald Fehr, Eddie Feigner, Lisa Fernandez, Rube Foster, Ted Giannoulas, Eddie Grant, Jim “Mudcat” Grant, Pete Gray, Ernie Harwell, Charlie Hollocher, Bob Hope (a publicity director, not the famed actor), Dr. Frank Jobe, Charles “Pop” Kelchner, Effa Manley, Conrado Marrero, Dr. Mike Marshall, Tug McGraw, Fred Merkle, Manny Mota, Phil Pote, Vic Power, Curtis Pride, Dan Quisenberry, J.R. Richard, Annie Savoy, Rusty Staub, Chuck Stevens, Luis Tiant, Fay Vincent, Rube Waddell, John Montgomery Ward, David Wells, J.L. Wilkinson, Maury Wills, Wilbur Wood, Don Zimmer

I look forward to casting my ballot, and if anyone reading is interested in voting, please feel free to email me. I’ll forward any requests for ballots on to the executive director of Baseball Reliquary, Terry Cannon.

All this being said, my ballot may include some write-ins. As the Shrine of the Eternals is still relatively new, I’m guessing dozens of worthy candidates haven’t been honored. It was this way with the Hall of Fame for about its first 30 years, up through the mid-1960s when the Veterans Committee finally ran out of non-enshrined players with 300 wins or close to 3,000 hits, men like Tim Keefe and Sam Crawford. Here are 10 of their equivalents for Baseball Reliquary to consider:

Jose Canseco: Call him an opportunist, call him a cheat, call him stupid. No matter, Canseco’s Juiced stands as the most important expose of the Steroid Era next to Game of Shadows and easily the most entertaining. It helped spur Congressional hearings and landmark reforms in baseball. Canseco would be a hit at the induction ceremony, too.

Jim Creighton: Baseball’s first superstar, Creighton shined briefly before he swung so hard in a game in 1862 that he ruptured his appendix and died a few days later at 21.

Charles Victory Faust: Faust arrived at a road game for the New York Giants 100 years ago this spring and announced he would pitch the team to the pennant. It remains one of the oddest stories in baseball history. A fortune teller told Faust he would star for the Giants, and while his play in an informal tryout with John McGraw was laughable, McGraw kept Faust on as a mascot out of superstition. Faust even played in two games. The Giants won the pennant in 1911 but lost in the World Series, and Faust was let go after the season and later institutionalized. He died in an asylum in 1915 at 34. There’s never been anyone else like him in baseball.

Charlie Finley: If Bill Veeck is in this shrine, Finley should be too. Both were innovative owners who built championship clubs in small markets and were master showmen. Where Veeck had exploding scoreboards, midget pinch hitters, and the ambitious but ill-fated Disco Demolition Night, Finley let 59-year-old Satchel Paige pitch in 1965, had his shortstop Bert Campaneris play all nine positions in a game that same year, and offered his players bonuses to grow mustaches. This honor could mean more for the late Finley. Unlike Veeck, Finley isn’t in the Hall of Fame.

Kenesaw Mountain Landis: Baseball’s first commissioner, Landis is remembered today as the former federal judge who gave lifetime bans to the eight members of the Chicago White Sox who threw the 1919 World Series. Landis also banned a number of other players and effectively vanquished gambling, a major problem in baseball in the first two decades of the 20th century. He served as commissioner until his death in 1944, and none of the men who’ve had the job since have impacted baseball nearly as much.

Hideo Nomo: Major League Baseball’s first Japanese star, Nomo retired from playing in Japan in the mid-1990s so he could come to the US. His hurricane windup baffled hitters stateside and made Nomo a hit with the Dodgers his first few years before hitters caught on. There’d be no Ichiro Suzuki or Hideki Matsui or Daisuke Matsuzaka in the majors today had Nomo not paved the way. And even in decline, Nomo remained popular in Japan. I covered one of Nomo’s rehab starts in Triple-A in 2004. I sat near three Japanese reporters in the press box, and they all left shortly after Nomo’s two innings were up.

Lefty O’Doul: Just as there would have been no Ichiro without Nomo, neither man would have had a start in professional Japanese ball if O’Doul hadn’t helped launch it in the 1930s. He went so far as naming the Tokyo Giants and also was an instructor in Japan before and after World War II. I believe O’Doul, like Buck O’Neil, belongs in the Hall of Fame as an ambassador to baseball. And if O’Neil has a spot in the Shrine of the Eternals, O’Doul should too.

Branch Rickey: There’s never been a more important baseball executive than Branch Rickey. The general manager for the St. Louis Cardinals, Brooklyn Dodgers, and Pittsburgh Pirates, Rickey invented the farm system for teams to develop their own players, signed the first black player in the modern era, and laid the foundation for success with all three teams he worked for. Bobby Bragan said in his autobiography, “To me, he was one of the greatest baseball minds ever, and I don’t think you’d be wrong if you took out the word ‘baseball.'”

Lawrence Ritter: Spurred by the death of Ty Cobb in 1961, Ritter decided to write a book comprised of interviews with old-time players. Five years and 75,000 miles on his car later, Ritter had The Glory of Their Times, quite possibly the best baseball book anyone’s written and certainly one of my favorites. It could also be the most influential, as four of the interviewed players got into the Hall of Fame in the years following the book’s publication in 1966: Rube Marquard, Stan Coveleski, Harry Hooper, and Goose Goslin.

Ernest Lawrence Thayer: Thayer received $5 in 1888 to write a poem for his college friend William Randolph Hearst and his newspaper, the San Francisco Examiner. Thayer wasn’t proud of the poem, and it had a small effect, if any at first. Years later, a vaudeville actor incorporated Casey at the Bat into his act, and the rest is history. A century after its original publication, the poem remains popular, and a baseball-themed episode of The Simpsons in 1992 even bore the title, “Homer at the Bat.”

BPP Book Club: 1921: The Yankees, the Giants, and the Battle for Baseball Supremacy in New York

At the beginning of the 20th century, baseball was practiced in the style favored by New York Giants’ manager John McGraw: Play for the single run with a base hit, followed by the hit and run, a sacrifice or a stolen base.

But by 1921, Babe Ruth was in his second season with the New York Yankees, redefining what one ballplayer could do. His 59 home runs was more than eight entire teams in the majors that year, and not only did the long ball he hit so effectively create more runs, more quickly, it also proved to be a fan favorite.

The stage was set for an epic change in baseball strategy and its ruling elite, and this shift has been recreated in Lyle Spatz and Steve Steinberg’s book, 1921: The Yankees, the Giants, and the Battle for Baseball Supremacy in New York. I give the book five stars out of five. It’s a well-researched, well-documented account of what may be the single most pivotal season in baseball history.

Spatz and Steinberg provide interesting insights into the minds of the hard-driving McGraw and his Yankee counterpart Miller Huggins. Before the season began, McGraw said of his rivals, “Unless we have bad luck, I do not fear any club in the National League.”

Although the Giants got the best of the Yankees in the 1921 first all-New York World Series, capturing the title by 5 games to 3 in the best of nine set, Huggins nevertheless managed the Bombers to the teams’ first six American League pennants and three World Series championships.

Huggins’ slugging Yankees ended the dead ball era forever and catapulted the team into number one status in the New York baseball world ahead of the Giants. Brooklyn, then known as the Robins, was nowhere as far as fans outside of Flatbush were concerned.

Before Huggins took over the Yankees in 1918, he was the player/manager for the St. Louis Cardinals. And prior to taking the helm for the Cards, the 5’4”, 140 pound  Huggins was one of the most skilled second basemen of his era. At various times during his career with the Cardinals and his native Cincinnati, Huggins handled 15 or more chances or figured in three double plays.

Hall of Fame Yankee pitcher Waite Hoyt remembered his former manager: “Huggins was almost like a school master in the dugout. There was no goofing off. You watched the game and you kept track not only of the score and the number of outs, but of the count on the batter.  At any moment Hug might ask you what the situation was.”

By 1923, when Yankee Stadium opened (see video here), the Bombers started on a seven-decade stretch of mostly dominant baseball. Before 1923, the Yankees and the Giants shared the Polo Grounds.

1921 is full of New York’s rich history as well as the colorful sports journalism of the time from reporters like Damon Runyon and Walter Trumbull. As an example of the descriptive prose found in the sports section in those early days, consider this analysis from Trumbull about Game 5: “The Giants ran bases with all the skill of a fat lady with the asthma racing for a street car.”

The book also has 53 illustrations, many never seen before, that colorfully supplement the author’s text and offer one more reason 1921 is a valuable addition to any baseball library.

The Great Friday Link Out III: Eye of the Detroit Tiger

The only thing missing from this week’s link out is Mr. T or another reference to Rocky III.

  • Bill Miller has posted the third installment of the series we’re doing for his blog on good players on awful teams. This week, Bill writes about Rusty Staub, the best thing going on the expansion Montreal Expos in 1969 (who were really, really terrible, even by Expo standards.) The locals referred to Staub as Le Grand Orange.
  • Anyone who enjoys this site or other history-related baseball blogs may like a series about “infamous or controversial historical figures who also had a notable association with baseball.” So far, there have been posts on John Dillinger, Billy Sunday, and a 19th century catcher named Martin Bergen who killed his family and himself. I saw the Bergen story on Baseball Think Factory this week and subsequently read the other two pieces. They’re all outstanding: well-researched, vivid, and well-told.
  • The journalism ethics student in me has loved a recent thread in the baseball blogosphere. For some reason, a lot of people hate Sports Illustrated writer Jeff Pearlman. With a passion. I read his book on the ’86 Mets, The Bad Guys Won and don’t know if I see what the hatred is about. Pearlman wrote a recent well-received CNN.com piece about tracking some of his haters down. Apparently, though, there’s more to this story than he told.
  • Devon Young, who blogs about the 1982 Topps baseball set, has a fresh batch of articles up including one about a card he refuses to take out of the protective casing it came in off eBay: A 1982 Pascual Perez error card. Kind of sums up Perez’s whole career.
  • Kevin Graham has changed the name of his site (though not his URL) from DMB World Series Replay to Baseball Revisited and is asking everyone who has him in their blogroll to note the change. I’ll do that, though a part of me is tempted to write, “The Blogger Formerly Known As…”

Any player/Any era: Denny McLain

What he did: I recently got an email from Brendan Bingham suggesting I write something on Denny McLain. Brendan wrote:

Although Denny McLain’s 31 wins is part of the standard description of what made 1968 the “year of the pitcher,” the accomplishment perhaps had little to do with 1968. McLain had a great year, but it would have been great in any era. I have not put McLain’s 1968 numbers through stat converter, but I strongly suspect that if you transport him to another team that won 103 games and outscored its opponents by 180 runs, and if you allow him to start 40 games and pitch more than 300 innings, there would be a good chance that he would win 30, or close to it.

It’s a bold prediction, and I’m happy to test it out. In search of the right team for McLain, I went back more than 100 years, deep into the Deadball Era.

Era he might have thrived in: We’ll trade McLain’s 103-59 Detroit Tigers for an even stronger club. The 1904 New York Giants went 106-47, scored 270 more runs than their opponents, and boasted not one, but two 30-game winners, Joe McGinnity and Christy Matthewson. The two combined for 90 starts and nearly 800 innings pitched, and if McLain subbed for Matthewson, he’d get his 30 wins.

Why: There hasn’t been a 30-game winner since 1968, partly because the perfect storm of circumstances Brendan outlined hasn’t occurred much since then. Since 1980, just two pitchers have made at least 40 starts, Charlie Hough in 1987 and Jim Clancy in 1982, and both played on losing teams. And no pitcher has broken 300 innings in a season since 1980 when Steve Carlton did it on 38 starts for the 91-71 Phillies.

If McLain pitched today, he’d be lucky to win 25 games. Even on the best current clubs, McLain would receive a maximum of 35 starts a season, pitch maybe six or seven innings per outing, and have at least a few wins ruined by relievers. Like Joe DiMaggio’s 56-game hitting streak or Barry Bonds’ 73-homer season, 30 wins in one year seems improbable today. It’s worth noting, too, that the live ball era has witnessed just three other 30-game winners: Jim Bagby Sr. in 1920, Lefty Grove in 1931, and Dizzy Dean in 1934. There’s a reason for that.

To win 30 games in another era, McLain would need an ironclad team from baseball’s distant past where he and another pitcher would, for all intents and purposes, be the starting rotation. There may be a few teams like this from the Deadball Era, but I’m partial to the 1904 Giants. The stat converter on Baseball-Reference.com has McLain’s ’68 season translating to 19-14 with a 2.35 ERA for New York, though I think that’s inaccurate. I’m guessing the converter is giving McLain what’s left over after McGinnity and Matthewson, as the numbers roughly parallel New York’s real third starter that year, Dummy Taylor.

Removing McGinnity or Matthewson would be key here, and there’s a temptation to keep Matthewson and make this about him pitching with McLain. But I think this team needs McGinnity, the 33-year-old ace whose 35 wins, 1.61 ERA, and 170 ERA+ were all league bests in 1904. Matthewson went 33-12 with a 2.03 ERA and ERA+ of 133, and McLain posted a better ERA+ in 1968, more shutouts, a better winning percentage, and a comparable number of innings. I wouldn’t sub out Matthewson in 1905 when he went 31-9 with a 1.28 ERA and 230 ERA+ and was the Giants in the World Series, but in 1904, McLain would have been the better young arm.

A legendary manager like John McGraw might have helped McLain, too. Matthewson turned 24 in 1904, the same age as McLain in 1968 and pitched another decade on his way to Cooperstown. McLain had one more good season after 1968 and then began an epic decline in baseball and life. He threw his last pitch at 28 in 1972, had drug problems, and was later imprisoned. There would still be risks for McLain in the Deadball Era. He had ties to gamblers while in the majors and perhaps could have been corrupted in baseball’s early days, when players regularly rigged games. And McGraw couldn’t save everyone, like his pitcher Bugs Raymond who drank himself out of the big leagues at 29 and died the following year.

Whatever the case may be, though, at least in 1904, McLain would surely have been something special.

Any player/Any era is a Thursday feature here that looks at how a player might have done in an era besides his own.

Others in this series: Albert Pujols, Bad News Rockies, Barry Bonds, Bob Caruthers, Bob Feller, Bob Watson, Dom DiMaggio, Frank Howard, Fritz MaiselGeorge CaseHarmon Killebrew, Harry Walker, Home Run Baker, Ichiro Suzuki, Jack Clark, Jackie Robinson, Jimmy Wynn, Joe DiMaggio, Johnny FrederickJosh HamiltonKen Griffey Jr., Lefty O’Doul, Nate Colbert, Paul Derringer, Pete Rose, Rickey Henderson, Roberto Clemente, Sam Thompson, Sandy KoufaxShoeless Joe Jackson, Stan Musial, The Meusel BrothersTy Cobb, Willie Mays

Remembering Big George Crowe

Although I never lived in Cincinnati, St. Louis, Boston or Milwaukee, one of my early baseball favorites was Big George Crowe, a first baseman for the Reds, Cardinals, and Braves.

My first connection to Crowe, who died on January 18 at 89, came when I was a ten-year-old growing up in Los Angeles avidly collecting baseball cards. Crowe’s 1952 and 1953 Topps cards were the most identifiable and treasured in my collection.

When my family moved to Puerto Rico, I went to dozens of Santurce Cangrejeros winter Caribbean League games. Crowe was a key member of the historic 1954-1955 Crabbers squad that many in baseball claim was the best winter squad ever.

Don Zimmer, a stand out shortstop for the Crabbers, considered Santuce as good as or better than any franchise in the major leagues.

Zimmer attested:

Without a doubt, it was probably the best winter club ever assembled. I mean we had guys like Buzz Clarkson, myself, Ronnie Samford, George Crowe, Valmy Thomas and Harry Chiti catching. We had Mays, Thurman and Clemente in the outfield. I mean you’re talking about a big league ball club. Not only that but Herman Franks was an outstanding manager. We could have beaten National League clubs.

The local media referred to the heart of the line-up, Mays, Clemente, Thurman, Clarkson and Crowe, as “Murders Row,” likening them to the famous 1927 New York Yankees.

In addition to the sluggers, on the mound were Ruben Gomez and Sam Jones. Gomez, incredibly, won 179 games over 29 winter league campaigns, all but one of them hurling for the Crabbers.

During his three seasons in Puerto Rico, Crowe hit .337 with 32 home runs and 179 runs batted in.

The Caribbean League allowed only a limited number of “imports,” the word used to describe non-Caribbean-born Americans. But since the Puerto Rican newspapers prominently featured their “off season” summer successes, I could easily follow Crowe’s career.

In 1957 Crowe, at age 36 with the Cincinnati Reds, had his best season. When an injury to Ted Kluszewski gave Crowe a shot at the full time first baseman’s job, he appeared in 133 games, belted 31 home runs and drove in 92 runs placing him sixth and eighth in the league respectively.

Ironically, Crowe was the only Reds starter not selected that year to the All-Star game during infamous ballot stuffing scandal forced the selections of Roy McMillan, Ed Bailey, Gus Bell, Don Hoak, Johnny Temple, Wally Post, and Frank Robinson. Crowe was beaten out by Stan Musial. Nevertheless, Crowe received a degree of revenge the following season when voters selected him as a reserve to the 1958 All-Star team based on his .300 plus batting average for the first half of the season.

Crowe was an outstanding Negro National League star as well as a professional basketball player for the New York Rens and the Los Angeles Red Devils where he teamed with Jackie Robinson. In 1939, Crowe was Indiana’s first Mr. Basketball.

Crowe lived in the Adirondacks until 2006 when he moved to California to join his family. After suffering a stroke in late 2008, Crowe resided in an assisted living facility near Sacramento until his death.

Other recent baseball passings: Art Mahan, Gil McDougald

Does he belong in the Hall of Fame? Joe Posnanski

Claim to fame: Here’s a trivia question: Who is Charles Dryden? How about Heywood Broun? Frank Graham? As an aspiring sportswriter, I’ve read Dryden, Broun, Graham and other long-dead pioneers of my craft. Dryden even had a cool life story, living as a hobo in the 1800s before going to work as a newspaperman. He once described Deadball Era pitcher Ed Walsh as “the only man in the world who could strut standing still.” To most fans, Dryden, Broun, and Graham would be just names. They have one thing, though, that a current, recognizable sportswriter, Joe Posnanski does not: a spot in the writers wing of the Hall of Fame.

Honoring recipients of the J.G. Taylor Spink Award, “for meritorious contributions to baseball writing,” the wing is a place that I could get lost in but something most fans wouldn’t care seeing on their Cooperstown visit. Honoring Posnanski could boost interest. As a two-time AP sports columnist of the year, current Sports Illustrated writer, and celebrated blogger, Posnanski might be the best sports journalist today. Certainly, I look up to him, and I enjoyed interviewing him. I’m far from the only person Posnanski’s influenced. That’s a common theme among the greatest writers wing honorees from Grantland Rice to Jim Murray to Peter Gammons.

Current Hall of Fame eligibility: Posnanski is eligible to win the award,  though as he’s in his 40s, it could be awhile. Traditionally, the award has functioned as something of a lifetime achievement honor, given to writers like Murray late in their careers or awarded posthumously. Gammons was one of the youngest honorees when he received the award in 2004 at 59.

Does he belong in the Hall of Fame? Yes, absolutely. I look at Posnanski like I look at Albert Pujols. Each man is so much more skilled than his peers it’s ridiculous, and if either were to retire tomorrow, I would have no problem honoring them. Each has done enough for Cooperstown in my eyes.

Posnanski would have a strong case for the writers wing from his newspaper, Sports Illustrated, and book-writing work, but it’s what he’s done outside his job that seals it for me. Posnanski is a master of the 21st century version of New Journalism, blogging, and as sports writing becomes more and more of an online endeavor, he stands as a great example influencing a generation of young writers. He’s also a great guy, perhaps the best thing of all.

Murray was a role model, too, in his decades with the Los Angeles Times, inspiring countless writers who imitated his witty, acerbic prose. Years before, Graham essentially created the fly-on-the-wall style of sports feature writing. And after Rice died in 1954, Smith wrote, “Perhaps it is not literally true that Grantland Rice put a white collar upon the men of his profession, but not all sportswriters before him were cap-and-sweater guys. He was, however, the sportswriter whose company was sought by presidents and kings.”

At least a few others in the writers wing are, for aspiring writers, little more than good examples of bad examples. I won’t get into names, but they’re the kind of folk who trash blogging, denigrate any kind of different writing really (one less-than-stellar honoree called Ball Four “horseshit,” for instance) and bemoan the decline of newspapers. Every year that they are in the Hall of Fame and Posnanski is not, Cooperstown looks more behind the times.

Does he belong in the Hall of Fame? is a Tuesday feature here.

Others in this series: Adrian Beltre, Al OliverAlbert BelleBert Blyleven, Billy Martin, Cecil TravisChipper JonesDan QuisenberryDave ParkerDon Mattingly, Don NewcombeGeorge Steinbrenner, George Van Haltren, Jack MorrisJoe CarterJohn Smoltz, Juan Gonzalez, Keith Hernandez, Ken Caminiti, Larry WalkerMaury WillsMel HarderPete Browning, Phil Cavarretta, Rafael Palmeiro, Roberto Alomar, Rocky Colavito, Ron Guidry, Smoky Joe Wood, Steve Garvey, Ted Simmons, Thurman MunsonTim Raines, Will Clark